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Shayari / Re: assi ta aaj vi jaan de sakde ha
« on: November 27, 2010, 11:02:06 AM »
nice poatry brother
This section allows you to view all posts made by this member. Note that you can only see posts made in areas you currently have access to. 10541
Shayari / Re: assi ta aaj vi jaan de sakde ha« on: November 27, 2010, 11:02:06 AM »
nice poatry brother
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Shayari / Danghra nall« on: November 27, 2010, 10:56:24 AM »
Danghra nall nibhani pe gai.zandghi inj bitani pe gai.ik ik kar k tanda tutian uljin de wich taani pe gai.umeed ki karyie makhin niklay pani witch madhani pe gai.Ashfaq lookan nu inj gull milya khand javin wich paani pe gi
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Fun Time / Re: punjabi janta« on: November 27, 2010, 10:35:09 AM »
:won: :won: :won: :won: :won: :won: :won: :happy: :happy: :happy: :happy: :dumlak: :dumlak: :dumlak: :dumlak: :dumlak: :dumlak: :dumlak: :love: :love: :love:
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Fun Time / punjabi janta« on: November 27, 2010, 10:31:10 AM »
:won: :won: :won: :won: :won:
pic removed on user's request - secondary to privacy breach. 10546
Saade Haase Te Gila Ne Yaar Karde,
Kehnde Tere Dil Ch Dise Na Dukh Koi. Kehnde Oh Ki Jaane Paak Mahobbat Nu, Jisdi Akh Na Kade Kise Layi Roi. Fir Asi Keha Eh Ishke Diyan Chottan Buriyan Ne, Eh Ishq Aap Sikhaduga. Je Aitbar Nahi Ta Kade Mera Dil V, Apne Zakhm Vikhaduga. Haar Ke Is Pyaar Vich Asi, Hasse Piche Gum Chuppai Baithe Haan. Ik Hanju Da Tu Kare Gila, Kise Di Judai Vich Ro-Ro Asi Sattan Janmaan De Hanju Mukai Baithe Haan. . 10547
Pics / souch oo bandiya« on: November 27, 2010, 10:05:58 AM »
weakh oo bandiya asmana te urdey penchi weakh te sahi ki kar de ne....na kar de rizak zakhira na o pukhey marr de ne....kadee kasee ne pankh pakheroo pukheey marr de weakhey ne...bandey kar de rizk zakhira bandey ee pukhey marr de ne
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Gup Shup / Je Karda Tery Kol Aawan« on: November 27, 2010, 09:51:34 AM »
Je Karda K Tery Kol Aawan.
Ty Kol a k Ruk Jawan. Na Bethan na Bulavan. Bas... Teri Akh Wich UNGAL Mar k Nass Javan 10549
Introductions / New Friends / Re: sat shri akal« on: November 27, 2010, 09:46:37 AM »
vikram sat shri akal tu gaee hor kush nhi likhna ? :comeon:
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Introductions / New Friends / Re: WELCOME TO PJ SILLY GAL« on: November 26, 2010, 05:13:33 PM »
WELLCOME JI
BUHAT KHOSHI HOI JI TUSI PUNJABI JANTA TE AA K APPNI RONIK DEKHAYI .UMEED KAR DA TUHANU ETHEE APPNE GHAR WALA MAHOOL MELU GA. :dumlak: :dumlak: :balle: :balle: :balle:HUN KARO :omg: :omg: :omg: :excited: :excited: :excited: :excited: :excited: :excited: :excited: 10552
Lok Virsa Pehchaan / kalam baba bulleh shah and Bhagat Kabir ghoonghat« on: November 26, 2010, 04:05:53 PM »10554
Funny Videos / funny Punjabi Man prank call« on: November 26, 2010, 03:34:48 PM »
********
Warning: Don't post these type of videos, please. 10555
Love Pyar / Punjabi Love Story« on: November 26, 2010, 03:31:17 PM »
Punjabi Love Story - 56 min documentary (The video's owner prevents external embedding)
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Love Pyar / Mirza Sahibaan Love Story« on: November 26, 2010, 02:29:56 PM »
Mirza–Sahiban, a love-lore is a treasure of Punjabi literature. It is a romantic tragedy. Sahiban was another love-lorn soul. Shayer Pillo raves about her beauty and says," As Sahiban stepped out with a lungi tied around her waist, the nine angels died on seeing her beauty and God started counting his last breath…"
Mirza and Sahiban who were cousins and childhood playmates, fell in love with each other. But when this beauty is about to be wedded forcibly to Tahar Khan by her parents, without any hesitation she sends a taunting message to Mirza, whom she loves, to his village Danabad, through a Brahmin called Kammu. "You must come and decorate Sahiban’s hand with the marriage henna." This is the time you have to protect your self respect and love, keep your promises, and sacrifice your life for truth. Mirza who was a young full-blooded man, makes Sahiba sit on his horse and rides away with her. But on the way, as he lies under the shade of a tree to rest for a few moments, the people who were following them on horseback with swords in their hands catch up with them. 10557
Lok Virsa Pehchaan / Punjabi Culture« on: November 26, 2010, 02:15:26 PM »
Punjabi folk music is highly rhythmic, and very diverse. The western region is the home of styles like dhoola and mahiya, while the popular boli style is performed different across the region. The vocals are another integral part of Punjabi music, as are instruments like the dhol, tumbi, dhad sarangi, algoza and Ektara.
Punjab The birthplace of Bhangra, the Punjab is a region extending over part of Northern India and Northeastern Pakistan. Translated, the name "Punjab" means the "Land of Five Rivers." The people of the Punjab are called Punjabis and they speak a language called Punjabi. The three main religions in the area are Sikhism, Hinduism, and Islam. The region has been invaded and ruled by many different empires and races, including the Aryans, Persians, Greeks, Muslims, and Mongols. Around the time of the 15th Century, Guru Nanak Dev founded the Sikh religion, which quickly came to prominence in the region. The 19th Century saw the beginning of British rule, which led to the emergence of several heroic freedom fighters, the subject of many Bhangra songs. Finally, the Punjab was split between Pakistan and India at the end of British rule in 1947. This partitioning resulted in a large migration of Punjabis into the United Kingdom, which eventually led to the emergence of Bhangra in Western clubs and dancehalls. Bhangra Bhangra is a lively form of music and dance that originated in the Punjab region in Southeast Asia. As many Bhangra lyrics reflect the long and often tumultuous history of the Punjab, knowledge of Punjabi history offers important insights into the meaning of the music. While Bhangra began as a part of harvest festival celebrations, it eventually became a part of such diverse occasions as weddings and New Year celebrations. Moreover, during the last thirty years, Bhangra has enjoyed a surge in popularity worldwide, both in traditional form and as a fusion with genres such as hip-hop, house, and reggae. As Bhangra continues to move into mainstream culture, an understanding of its history and tradition helps to appreciate it. Bhangra Instruments Many different Punjabi instruments contribute to the sound of Bhangra. Although the most important instrument is the dhol drum, Bhangra also features a variety of string and other drum instruments. The primary and most important instrument that defines Bhangra is the dhol. The dhol is a large, high-bass drum, played by beating it with two sticks. The width of a dhol skin is about fifteen inches in general, and the dhol player holds his instrument with a strap around his neck. The string instruments include the tumbi, sarangi, sapera, supp, and chimta. The dhad, dafli, dholki, and damru are the other drums. The tumbi, famously mastered by Amar Singh Chamkila, a famous Punjabi singer, is a high-tone, single-string instrument. Although it has only one string, mastering the tumbi takes many years. The sarangi is a multi-stringed instrument, somewhat similar to the violin. The sapera produces a beautiful, high-pitched stringy beat, while the supp and chimta add extra, light sound to Bhangra music. Finally, the dhad, dafli, dholki, and damru are instruments that produce more drum beats, but with much less bass than the dhol drum. Bhangra is a lively form of music and dance that originated in the Punjab region in Southeast Asia. As many Bhangra lyrics reflect the long and often tumultuous history of the Punjab, knowledge of Punjabi history offers important insights into the meaning of the music. While Bhangra began as a part of harvest festival celebrations, it eventually became a part of such diverse occasions as weddings and New Year celebrations. Moreover, during the last thirty years, Bhangra has enjoyed a surge in popularity worldwide, both in traditional form and as a fusion with genres such as hip-hop, house, and reggae. As Bhangra continues to move into mainstream culture, an understanding of its history and tradition helps to appreciate it. Bhangra Instruments Many different Punjabi instruments contribute to the sound of Bhangra. Although the most important instrument is the dhol drum, Bhangra also features a variety of string and other drum instruments. The primary and most important instrument that defines Bhangra is the dhol. The dhol is a large, high-bass drum, played by beating it with two sticks. The width of a dhol skin is about fifteen inches in general, and the dhol player holds his instrument with a strap around his neck. The string instruments include the tumbi, sarangi, sapera, supp, and chimta. The dhad, dafli, dholki, and damru are the other drums. The tumbi, famously mastered by Amar Singh Chamkila, a famous Punjabi singer, is a high-tone, single-string instrument. Although it has only one string, mastering the tumbi takes many years. The sarangi is a multi-stringed instrument, somewhat similar to the violin. The sapera produces a beautiful, high-pitched stringy beat, while the supp and chimta add extra, light sound to Bhangra music. Finally, the dhad, dafli, dholki, and damru are instruments that produce more drum beats, but with much less bass than the dhol drum. Bhangra Today Bhangra has come a long way in the 20th Century and has recently taken the entertainment industry by storm. In the 1970s and 1980s, many Punjabi singers from Southeast Asia and the United Kingdom emerged, setting the stage for Bhangra to become a hot new trend in dance music. Modern Bhangra artists, in addition to recording and performing traditional Bhangra, have also fused Bhangra with other music genres, such as hip-hop, reggae, house, and drum-and-bass. :wait: 10558
Shayari / Shad tu ehna ruswaiya« on: November 26, 2010, 02:05:18 PM »
:woried: nu jo tenu metho vakh karde...
Ki lena asi loka to jehre sadde pyar te buri akh dharde... Hun tu na maar tahne "MJ" tutpene nu chandariye, asi ashiq loki pehla hi tahne jmane de lakh jarde 10559
News Khabran / Waris Shah« on: November 25, 2010, 02:09:00 PM »
Syed Waris Shah (Urdu/Punjabi: وارث شاہ) (b. 1706 – d. 1798) was a Punjabi Sufi poet, best-known for his seminal work Heer Ranjha, based on the traditional folk tale of Heer and her lover Ranjha. Heer is considered one of the quintessential works of classical Punjabi literature. The story of Heer was also put to paper by several other writers, including Damodar Daas, Mukbal, and Ahmed Gujjar, but Waris Shah's version is by far the most popular today. Heer aakhdi jogia jhooth boleiN, kaun ruthRey yaar manaunda ee. aissa koi na ditha mein dhoond thakki, jehRa giya nooN moRh liyaunda ee. saade cham deaN juttiaN kare koi, jehRa jio da rog gwaunda ee. bhalla dass khaN chiriN vichhuniyaN nooN, kadoN Rabb sacha ghariN liyaunda ee. bhalla moiye te vichRey kaun mailey, aiveiN jioRha lokk valaunda ee. ikk baaz toN kaoN ne koonj khohi, vekhaN chupp hai ke kurlaunda ee. ikk jatt de khet nooN agg lagi, vekhaN aan ke kadoN bujhaunda ee. devaN chooriaN gheo de baal deevey, Waris Shah, je suna mein aunda ee.
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tu marre dupki dungi ve, socha de saagar de tal teek..
kai shayer marge adh samundr, kai na trre pal teek.. ek oh rasta jithe farsh nahi, na mord na koi choraha hai.. tu turda firda us raste, jithe na koi apna na paraya hai.. madh mast malang shayer e, kad rowe kad hasse ki pata.. eh lafz tere wich vasde ne, ya tu lafza wich vasse ki pata.. ki gum c ki dard ki c fatt vajje, kisda c BIRHA gaunda tu.. ehna geetan de modde sir dhar k, kisda c dukhrda sunaunda tu.. is kayenaat di gungi tasveera nal, kyo apne rishte bnanda c… ki chan ki rukh ki panshi patte, har ek nal ghul mil janda c… joban di rutte pat-jhard aai, sane patteya le gai phul khileya… “mandeep” nu teriya kavitava da, bus harreya bhareya baag milleya.. |