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Messages - ♥Simmo♥
2921
« on: January 10, 2011, 09:48:58 AM »
no i dnt get it :cry:
faraazzzzzzzzzzzz theek ah :okk:
so ehs site bare kida pata lagya....n ki karde oh tusi ? kam ya study :excited: :excited:
2922
« on: January 10, 2011, 09:47:51 AM »
lolz raj ji... tusi vyah krona...meh ta jhande amli ji di gal krdi c :excited: :Laugh: X_X
2923
« on: January 10, 2011, 09:46:52 AM »
aho vatt kad te meh ta...agar meh apni siso di help ni kiti ...te hor kaun karu fer :excited:
2924
« on: January 10, 2011, 09:45:23 AM »
lock kardo topic ...ewi spamming  :
2925
« on: January 10, 2011, 09:43:26 AM »
hawww menu ladakhi lai kine vote paiyan :thaa:
naam daso ohna de :angry:
2926
« on: January 10, 2011, 09:42:16 AM »
jattan nu aaj kaal laraiya te nasheya toh veil mileh...ta kuch karan /:)
2927
« on: January 10, 2011, 09:41:39 AM »
:Laugh: hahahaha nice fateh...kaint a joke
2928
« on: January 10, 2011, 09:40:54 AM »
welcum ji :cooll:
2929
« on: January 10, 2011, 09:35:38 AM »
=D> =D> =D> =D> wah wah ...bhot khoob sandhu ji . :okk:
2930
« on: January 10, 2011, 09:30:17 AM »
thonu pj ware kida pata lagya ? :lost: n thoda koi nick name ni haga besides sensasian? /:)
:hihpanga:
p.s. mere rules par leh? :Laugh:
2931
« on: January 10, 2011, 09:27:20 AM »
welcome to pj sensasian. :happy: :hug:
/:) how in heavans do u pronounce ur name kiddo? goshh :omg:
hehehehe hope u have an awesome timeeeeeeeeeeeeeee ! mauja karo posts paro ...reply's karoo..chat te jablia maro...te sab nal has mill keh raho...friendds bnao dehr sare lolzzzzz
and wow u play dhol...i wnna hear :excited: upload ur beats on youtube fer link pa deo ehte .. cant wait to hear it.
:excited: :excited: :excited: :rockon: :rockon: :rockon: :rockon: :balle: :balle: :balle: :balle: :balle: :balle:
Heres some rules to remember
RULES:Respect everyone in forums/chatroom
No cursing in forums/chatroom
No spamming in shoutbox/forums/chatroom
Do Not create multiple topics
Dont advertise other websites on PJ
Dont argue with the admins/mods (heheheh nai ta thodi keir ni  )
Dont bother people who dont want to talk to you
If you have a issue with someone in chatroom: you can click on their name and choose "ignore" from one of the options that will come up.
If you misbehave in chatroom, mods or admins will warn you. Please adhere to those warnings or you will be banned for some time.
Important Info:
Admin: Grenade Singh
Id in forums: Grenade Singh Id in ChatRoom: Admin
* Sab nal pyar nal rao nai ta bhugto .
* Chat ch no cursing, or u get banned by chat mods.
* Chat mods are any of da users who have a "M" symbol next to their name in da chat room. (Not all of em use it)
* Dont advertise other sites on PJ
* PLEASE DO NOT POST VIDEOS IN SHOUTBOX
* IF u dnt get along wid anyone in chat room...click their name...and choose "ignore" option. PRevents future fights.
* When making topics...make sure ur not repeating old topics. You can make sure by searching the forum box.
* IF u ever do get in a fight in the chat room. Invite urself to the "Dushmani Fight Club" othe jake jina marji gand paoo...sab maaf ah...koi bi mod ban ni kar skda..jinia marjia gaalan kado!
* To go to different rooms in chat....you click your name...and choose "invite" from da options dat come up. and then a box displays on ur screen. click da drop down arrow and choose watever room u wnna go to. and click invite on da bottom.
* Be respectful and sab nal hass mill ke rao! Have FUn !!!!!
:pjrocks:
2932
« on: January 10, 2011, 09:22:13 AM »
:hug: kudrat ji :hug:
ki kawa thode bare...koi shabd hi nai ah
ur awesomeee :excited: agg hi lati PJ te akhe... att oh attt lolzzzz :hehe: sadi siso ne ta vatt kade peh ah...sari PJ te chdaiii ah puri thodi... chaki jao fatte !!!!!! burahhhhhhhhhhh :rockon: :excited:
Pj te active rehne oh. wadia toh wadia topics post karde oh. sab nal pyar nal bolde oh. ur nature is just so loving and caring. sab thode nal bht cheti attach ho jande ah. ur like family to us, well me anywys ( meh ta ajje vi kehni ah ...agar chance hunda ta apne veere nal vyake leh ohna c thonu ghare :hehe: )
hmm kudrat ji is da perfect choice if u wnna make her global mod. i dnt think ohna toh jyada koi eh position nu wadia tareeke nal sambal skda. Shes educated, fair, active member, keeps everyone happy, and creates a pleasant mood wen shes around. thrs no way u cant make her global mod. hands down, shes ur first pick! :okk:
2933
« on: January 10, 2011, 08:59:39 AM »
bht sohna likea tusi :love: =D> =D> =D> =D>
2934
« on: January 10, 2011, 08:58:52 AM »
:hug: :hug: :hug: :hug: :hug: :excited:
2935
« on: January 10, 2011, 08:58:11 AM »
hahahah good one sandhu ji :blink:
2936
« on: January 10, 2011, 08:57:05 AM »
kuch sarran di smell ah rai ah :hihpanga:
hahahaha auka thoda sandhu ji :wow:
2937
« on: January 10, 2011, 08:55:54 AM »
theek a fer siso ... gdluck and have funn :excited:
2938
« on: January 10, 2011, 08:55:04 AM »
The geographical entity in the north-western region of India called Punjab, the land of five rivers, has been and still is an integral part of the common pool of Indian culture. Its arts and crafts also form an important part of the deep-rooted artistic tradition of India and are equally rich and significant.
The culture of Punjab prior to the partition of 1947 was a mixture of three strains one flowing frorn Kangra hills, the second from south-western area from Multan to Lahore, and the third from Peshawar w Lahore. Patiala and contiguous areas were not active culturally. The three aforesaid areas contributed to the culture of the five river land. Lyallpur, Jhang, Montegomary, Rawalpindi, Sialkot and Lahore were Muslim dominated areas. Religion naturally left its impress an culture. Its influence can be seen on almost all arts and crafts, specially glazed pottery and woodcarving. The artisans of Chiniot near Lyallpu were famous for their skill in these crafts.
Hindus and Muslims of this area dressed themselves in the same manner. The art, culture and costumes of this zone present a sharp contrast to those of the north-eastern areas of the Punjab. People in the north-western frontier zone wore Salwar (bottomwearl aod turban with a Kullah, Loose turbans, a long Kurta (Shirt) and a loose lungi (tahrnet or tamba) were in vogue in Multan, Jhang, Lahore and Amritsar.
Turban wrapped in a sophisticated manner known as Dogra-Pahari style was common in Lahore, Amritsar and the contiguous area up to Ambala. The combination of Patiala and Dogra styles of turbans was also common in these areas.
Amritsar, Gurdaspur, Hoshiarpur, etc. had a distinctive culture of their own owing to the deep influence of the Pahari culture of Kangra hills. The metalwork, jewellery, embroidery, mudwall paintings, wall paintings in the temples and mansions of the rich (Havelis), figurative woodcarving, folk songs, musical instruments and even the dishes have a typically Pahari character, here. The men and women of these areas speak a different dialect from those of the north-western frontier zone.
Lahore, on account of its being the capital as well as the government headquarters, could not develop a distinct culture of its own, for people from different places came to reside here. Its culture remained hybrid, a conglomeration of odd elements. Despite so much cultural diversity, there are points of common contact which unite the culture of the Punjab. This is evident from the architecture of ordinary dwelling houses, Punjabi poetry, folk songs, idiomatic expressions, jokes, etc. This aspect shall be dealt with in the following paragraphs.
As elsewhere in India, the culture of Punjab thrived in both urban and rural areas. Historical examples in classical style such as Buddhist relics, pottery, sculptures, etc., which flourished in urban areas exist in fragments in the museums of Taxile and Lahore. One may chance upon more architectural and sculptural ruins in Pakistan in archaeological and historical sites. A number of magnificent sculptures and stupas have been unearthed from Gandhara and Taxila. The temples of Malot and Bilot in Kafirkot and Dera Ismail Khan dating back to the 8th century A.D. are superb examples of classical art of Punjab having stylistic affinities with Gandhara and Kashmir, which is evident from the trefoil and triangular arches.
While Specimens of classical art forms in this part have been destroyed by centuries-long waves of barbarian invasions?their counterparts have remained more or less intact in the more secluded and sheltered parts of western Himalaya such as Chamba, Kulu, Simla hills, Kangra, etc. The earliest temples in these areas date back to the 7th century and are of wood and stone, namely Lakshna Devi temple in Brahmaur. Shakti Devi temple in Chhatrarhi, Markula Devi temple in Lahaul and the monolithic temple of Masrur in Kangra Valley, to name a few.
The glazed tile mosaics in Wazir Khan mosque in Lahore and Lahore fort are also in the refined tradition of urban culture. These are believed to have been executed in Jehangir's period (early 17th century).
The mosque of Wazir Khan in the city of Lahore is a monument of great dignity and elegance. It is in Iranian-Mughal style, though founded by a Punjabi. The beautiful figurative Kashi or tile-work, stretching for several hundred yards and to a considerable height along the outer wall of the Lahore Fort, is the most spectacular achievement in a very different vein. These Lahore tiles were also used in the same period on the nearby mosque of Wazir Khan. This is the only specimen of urban culture without parallels in any areas of Punjab. This architecture is Persian in style and character, but the elephants, birds and flower motifs are similar to those on the tiles embellishing the outer wall of the Man Mandir palace of Gwalior, and have no affinity with abstract decorations on Persian mosques. The mosque of Wazir Khan in Lahore was built by Hakim Aliuddin in 1634 A.D. inside Delhi gate. Wazir Khan, a minister of Aurangzeb, a man of considerable parts, great munificence and fine taste as is evident from this mosque.
2939
« on: January 10, 2011, 08:51:23 AM »
ur welcome :rockon:
hor ta ni kuch chaida? :lost:
2940
« on: January 10, 2011, 08:48:19 AM »
PHULKARI
Phulkari, meaning flower work, is a spectacular style of embroidery peculiar to Punjab, and an essential part of everyday life. Almost every ceremony in which women participate is given a touch of addi-tional colour and richness by the use of Phulkari on account of its being considered auspicious and a sign of 'Sohag'.
This embroidery lends itself to making large surfaces. The process is slow and laborious. The art is acquired with a great deal of effort.It has infinite patterns testifying to the creative ability of the needle-women, made up of vertical, horizontal patterns. Its remarkable feet is that with the skilful manipulation of the darning stitch, so many varieties of complicated designs are created: The total effect is that of floral magnificence. It is essentially a feminine craft and very domestic in all its essential features. It is an art because of its capacity to give satisfaction through design and blending of harmonious colours.
This type of embroidery is so excellently done that it is hard to disting-uish between the left and, right sides or upward and downward sides. It has the look of a carpet. The patterns are not restricted or controlled, but bold, free and highly imaginative. The designs and motifs are an expression of the embroiderer's thoughts and aspirations or obser-vations of life around her. These women embroidered a railway train, motor car, lorry or even Ratha (chariot) out of sheer curiosity. Birds, domestic and wild animals in different sizes and from different angles are common. In the whole composition, one often comes across several ornaments such as hansali, tika, karda, ponchi, singhar-patti and guluband.
This handicraft did not arise out of any pure artistic motive, but mainly to satisfy a domestic necessity. The inborn talent and spontaneous approach of the uneducated village woman, her deft hand and resourcefulness have raised such works out of the realm of necessity into the domain of art, pleasing in colour and design as they are. Another peculiarity of this embroidery is that no two Phulkaris are alike.
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