weakh oo bandiya asmana te urdey penchi weakh te sahi ki kar de ne....na kar de rizak zakhira na o pukhey marr de ne....kadee kasee ne pankh pakheroo pukheey marr de weakhey ne...bandey kar de rizk zakhira bandey ee pukhey marr de ne

vikram sat shri akal tu gaee hor kush nhi likhna ? :comeon:

kalam bagat kabir - Hari Singh - Keh Kabir Ghulam Ghar Ka Hari Singh

Funny pakistani punjabi fruit vendor

Punjabi Love Story - 56 min documentary (The video's owner prevents external embedding)

 Punjabi folk music is highly rhythmic, and very diverse. The western region is the home of styles like dhoola and mahiya, while the popular boli style is performed different across the region. The vocals are another integral part of Punjabi music, as are instruments like the dhol, tumbi, dhad sarangi, algoza and Ektara.

Punjab

The birthplace of Bhangra, the Punjab is a region extending over part of Northern India and Northeastern Pakistan. Translated, the name "Punjab" means the "Land of Five Rivers." The people of the Punjab are called Punjabis and they speak a language called Punjabi. The three main religions in the area are Sikhism, Hinduism, and Islam. The region has been invaded and ruled by many different empires and races, including the Aryans, Persians, Greeks, Muslims, and Mongols. Around the time of the 15th Century, Guru Nanak Dev founded the Sikh religion, which quickly came to prominence in the region. The 19th Century saw the beginning of British rule, which led to the emergence of several heroic freedom fighters, the subject of many Bhangra songs. Finally, the Punjab was split between Pakistan and India at the end of British rule in 1947. This partitioning resulted in a large migration of Punjabis into the United Kingdom, which eventually led to the emergence of Bhangra in Western clubs and dancehalls.

Bhangra

Bhangra is a lively form of music and dance that originated in the Punjab region in Southeast Asia. As many Bhangra lyrics reflect the long and often tumultuous history of the Punjab, knowledge of Punjabi history offers important insights into the meaning of the music. While Bhangra began as a part of harvest festival celebrations, it eventually became a part of such diverse occasions as weddings and New Year celebrations. Moreover, during the last thirty years, Bhangra has enjoyed a surge in popularity worldwide, both in traditional form and as a fusion with genres such as hip-hop, house, and reggae. As Bhangra continues to move into mainstream culture, an understanding of its history and tradition helps to appreciate it.

Bhangra Instruments

Many different Punjabi instruments contribute to the sound of Bhangra. Although the most important instrument is the dhol drum, Bhangra also features a variety of string and other drum instruments.

The primary and most important instrument that defines Bhangra is the dhol. The dhol is a large, high-bass drum, played by beating it with two sticks. The width of a dhol skin is about fifteen inches in general, and the dhol player holds his instrument with a strap around his neck.

The string instruments include the tumbi, sarangi, sapera, supp, and chimta. The dhad, dafli, dholki, and damru are the other drums. The tumbi, famously mastered by Amar Singh Chamkila, a famous Punjabi singer, is a high-tone, single-string instrument. Although it has only one string, mastering the tumbi takes many years. The sarangi is a multi-stringed instrument, somewhat similar to the violin. The sapera produces a beautiful, high-pitched stringy beat, while the supp and chimta add extra, light sound to Bhangra music. Finally, the dhad, dafli, dholki, and damru are instruments that produce more drum beats, but with much less bass than the dhol drum.

Bhangra is a lively form of music and dance that originated in the Punjab region in Southeast Asia. As many Bhangra lyrics reflect the long and often tumultuous history of the Punjab, knowledge of Punjabi history offers important insights into the meaning of the music. While Bhangra began as a part of harvest festival celebrations, it eventually became a part of such diverse occasions as weddings and New Year celebrations. Moreover, during the last thirty years, Bhangra has enjoyed a surge in popularity worldwide, both in traditional form and as a fusion with genres such as hip-hop, house, and reggae. As Bhangra continues to move into mainstream culture, an understanding of its history and tradition helps to appreciate it.

Bhangra Instruments

Many different Punjabi instruments contribute to the sound of Bhangra. Although the most important instrument is the dhol drum, Bhangra also features a variety of string and other drum instruments.

The primary and most important instrument that defines Bhangra is the dhol. The dhol is a large, high-bass drum, played by beating it with two sticks. The width of a dhol skin is about fifteen inches in general, and the dhol player holds his instrument with a strap around his neck.

The string instruments include the tumbi, sarangi, sapera, supp, and chimta. The dhad, dafli, dholki, and damru are the other drums. The tumbi, famously mastered by Amar Singh Chamkila, a famous Punjabi singer, is a high-tone, single-string instrument. Although it has only one string, mastering the tumbi takes many years. The sarangi is a multi-stringed instrument, somewhat similar to the violin. The sapera produces a beautiful, high-pitched stringy beat, while the supp and chimta add extra, light sound to Bhangra music. Finally, the dhad, dafli, dholki, and damru are instruments that produce more drum beats, but with much less bass than the dhol drum.

Bhangra Today

Bhangra has come a long way in the 20th Century and has recently taken the entertainment industry by storm. In the 1970s and 1980s, many Punjabi singers from Southeast Asia and the United Kingdom emerged, setting the stage for Bhangra to become a hot new trend in dance music. Modern Bhangra artists, in addition to recording and performing traditional Bhangra, have also fused Bhangra with other music genres, such as hip-hop, reggae, house, and drum-and-bass.
:wait:

Syed Waris Shah (Urdu/Punjabi: وارث شاہ) (b. 1706 – d. 1798) was a Punjabi Sufi poet, best-known for his seminal work Heer Ranjha, based on the traditional folk tale of Heer and her lover Ranjha. Heer is considered one of the quintessential works of classical Punjabi literature. The story of Heer was also put to paper by several other writers, including Damodar Daas, Mukbal, and Ahmed Gujjar, but Waris Shah's version is by far the most popular today. Heer aakhdi jogia jhooth boleiN, kaun ruthRey yaar manaunda ee. aissa koi na ditha mein dhoond thakki, jehRa giya nooN moRh liyaunda ee. saade cham deaN juttiaN kare koi, jehRa jio da rog gwaunda ee. bhalla dass khaN chiriN vichhuniyaN nooN, kadoN Rabb sacha ghariN liyaunda ee. bhalla moiye te vichRey kaun mailey, aiveiN jioRha lokk valaunda ee. ikk baaz toN kaoN ne koonj khohi, vekhaN chupp hai ke kurlaunda ee. ikk jatt de khet nooN agg lagi, vekhaN aan ke kadoN bujhaunda ee. devaN chooriaN gheo de baal deevey, Waris Shah, je suna mein aunda ee.

 Eh duniya badi anokhi a, jhutha har aitbaar ni hunda...
Is duniya de rang avlle, har kise kol pyaar ni hunda...
Sheeshe mohre beh ke vi, banda uscho paar ni hunda...
Har dil lyi is duniya kol, hamdardi te satikaar ni hunda...
Ishq smundar bada hi dunga, kachhe ghdeyan nal eh paar ni hunda...
Jittna saukha a nafrat ton, te pyaar ton kdi haar ni hunda

Ik Sharabi Apni Biwi Nu Kehnda: Je Mere Hath Ch Sarkar Hove Taan Main Desh Di Taqdeer Badal Doon...

Ohdi Gharwali Boli: Kanjara, Pehlan Apna Pajama Taan Badal Lai Savere Di Meri Salwar Payi Firda Hai. :superhappy: :superhappy: :balle: :happy: :happy:

Na maen moman vich maseetaan,
Na maen vich kufar diyan reetaan,
Na maen paakaan vich paleetaan,
Na maen moosa na pharaun.
Bulla, ki jaana maen kaun.

Na maen andar ved kitaabaan,
Na vich bhangaan na sharaabaan,
Na vich rindaan masat kharaabaan,
Na vich jaagan na vich saun.
Bulla, ki jaana maen kaun.

Na vich shaadi na ghamnaaki,
Na maen vich paleeti paaki.
Na maen aabi na maen khaaki
Na maen aatish na maen paun.
Bulla, ki jaana maen kaun.

Na maen arabi na lahori,
Na maen hindi shehar nagauri,
Na hindu na turak peshawri
Na maen rehnda vich nadaun.
Bulla, ki jaana maen kaun.

Na maen bhed mazhab da paaya
Ne maen aadam havva jaaya,
Na maen apna naam dharaaya
Na vich baitthan na vich bhaun.
Bulla, ki jaana maen kaun.

Avval aakhir aap nu jaana,
Na koi dooja hor pehchaana.
Maethon hor na koi siyaana
Bulla shauh khadda hai kaun.
Bulla, ki jaana maen kaun. :wait: :wait: :wait: :wait: :wait: