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3721
Lok Virsa Pehchaan / Re: Introduction to Islam
« on: June 14, 2010, 07:02:57 AM »
The Prophet Muhammad

The Prophet Muhammad was born in Mecca, now Saudia Arabia, in 570. Orphaned as a child, he was brought up by his grandfather and later by his uncle. He worked as a trader and at the age of 25 married Khadija, a wealthy widow. As time went on, he took to reflecting and meditating on Mount Hira just outside Mecca, where in 610 he received the first of his revelations from God, brought by the angel Gabriel. From 613 he proclaimed these to the polytheistic people of Mecca but received a lukewarm welcome. His radical teachings of the oneness of God angered them, and they persecuted him and his followers, some of whom fled to Ethiopia. In 622, still persecuted and now widowed, Muhammad accepted an offer of the people of Yathrib (later known as Medina) and went north. This migration, or hijra, marks the start of the Islamic era. Muhammad fought against the Meccands until 630, increasing his power and prestige as more and more tribes accepted Islam. When the Meccans accepted defeat, Muhammad declared an amnesty for all except a few of his former enemies, and began to think of spreading Islam beyond Arabia. However, in 632, at the age of 62, he died, having transmitted the revelations of God in their entirety.

   The Death of Muhammad: Like all the prophets before him, Muhammad was human. He chose to be buried in his adopted town of Medina. His tomb lies in the mosque that the young Muslim community built when they arrived in Medina, where Muhammad and his wives, mostly widows whom he had married after the death of Khadija, lived. This mosque, the center for worship and the business of government during Muhammad's lifetime, has been expanded and embellished by Muslim rulers over the centuries. Muhammad died in the lap of his favorite wife A'isha, and was buried on the spot, in what was then her small apartment along one wall of the original mosque. His tomb is now flanked by those of Abu Bakr and 'Umar, two of his closest companions and the first of two caliphs - leaders of the Muslim community - after his death.



Belief in Angels: Muslims believe that angels such as Gabriel are God's servants in all matters. Particular angels have special responsibilities: Mik'il is the angel of providence, Azra'il is the angel of death, and Munkar and Nakir inquire of the dead in their tombs about their deeds. The angel Iblis, also known as Shaytan, disobeyed God by refusing to prostrate himself before the newly created Adam. He thereby became the enemy of humankind.

Reverence for the Prophet: In any photograph, the Prophet's face is hidden by a veil, not only to show his exalted status, but also because Islam conventionally prohibits depictions of him. No Muslim will hear criticism of Muhammad, and nearly all are accustomed to invoke God's blessing on him each time they mention or write his name. A minority of Muslims accord such great importance to Muhammad that they attribute to him almost superhuman status.

Earlier Messengers: Muhammad was the last of God's many prophets sent to bring his guidance to humankind. Muslims believe that all these messengers, who include Noah, Abraham, Moses, David, and Jesus, brought revelations that, in essence, concurred with the Qur'an. "He has revealed to you (Muhammad) the Scripture with truth, confirming what was before it, just as he revealed the Torah and the Gospel" (Sura 3:3). According to Islam, all of the prophets, including Jesus, were human. In the Qur'an Jesus denies claiming divinity and looks forward to God's final messenger. Here, in accordance with the Qur'an, he is taken up to heaven, for: "They (the Jews) did not kill him or crucify him, but it appeared so to them... but God raised him to himself"

A Perfect Example of Living: Although they insist upon his humanity, Muslims revere Muhammad as the perfect example of living. The majority follow his Sunna, or customary practice, and thereby call themselves Sunni Muslims. They base their lives upon his sayings and actions, which were compiled into six authoritative collections by careful and pious experts, who separated the authentic Hadith, sayings of the Prophet, from others that have doubtful status. These collections rank second only to the Qur'an in importance for Muslims, and among them those of the two experts al-Bukhari and Muslim ibn Hajjaj are especially respected.

3722
Lok Virsa Pehchaan / Introduction to Islam
« on: June 14, 2010, 07:00:54 AM »
Islam is the religion of allegiance to God that began historically with the prophet Muhammad in Arabia in the 7th century. However, according to its own teachings, Islam began as the way of life which God intended for his creation from the start. Human rebellion and sin meant that God constantly sent prophets, including Moses and Jesus, to summon people back to the proper religion.

    Muhammad was told to warn his people in the town of Mecca, in current day Saudi Arabia, about the truth of God being spoken through him. A small minority of people accepted him and made up the first small community of Muslims. As a result of persecution, they, with Muhammad, moved to Yathrib in 622. This move to Yathrib, also called Medina, is known as the hijra, and the Muslims who followed Muhammad are known as Muhajirun and those who supported Muhammad in Medina are known as Ansar (the helpers).

Islam means "entering into a condition of peace and security with God through allegiance and surrender to him." This is what Muhammad discovered when, as a young man, in the midst of rival claims about God from the Jews, Christians, and many polytheists in Arabia, he used to go to Mount Hira near Mecca to search for the truth about God. It was here, in a cave on the mountain, that he was overwhelmed with a tremendous sense of God (or his messenger Gabriel) pressing upon him and saying, "Iqra'," "Recite." In other words, "Recite in the name of your Lord who has created, created man from a drop..." These are the first words revealed by God, which were later collected into the Qur'an, the Islamic holy book. Muslims believe the Qur'an is God's actual utterance and has been with him in heaven from eternity. God has sent this utterance as guidance to humankind through successive messengers such as Musa and 'Isa, who each transmitted it to meet the needs of their own people. Finally, God sent the Qur'an in its complete form through the last messenger, Muhammad, who was only a man, exemplary though he was. He was the human channel of God's will.

From the first dramatic moment on Mount Hira, Muhammad was given the all-important understanding that if God is God, there cannot be rival accounts of "who God is," and there certainly cannot be rival gods or many gods. There can only be God, and for that reason he is called Allah, "the one who is God." Neither can there be rival religions or people divided against each other - all people come from God and return to him after death for exact judgement on their actions. All people should, therefore, become a single umma, or community, and every action and aspect of life should bear witness to the fact that "there is no god but God, and Muhammad is his messenger." This witness is the Shahada, the first of the Five Pillars of Islam, the foundations of Muslim life. The Five Pillars give structure and unity to Muslims all over the world.

   The Foundations of Life: The Qur'an is the nonnegotiable authority in Muslim life and belief. But it does not cover all circumstances in detail, so the words and actions of Muhammad and his companions are accepted as a living commentary on what the Qur'an means and how it should be applied. They were gathered in six revered collections, the Sahib, meaning "sound," and are known collectively as the Hadith or Sunna, the customary practice of the Prophet. Methods of exegesis or interpretation emerged, particularly that of consensus in the community and the use of analogy, ijma and qiyas. Major traditions then developed that drew up law codes for life, known as Shari'a. There are four major schools of Shari'a, and most Muslims live their lives according to one of them.

Divisions in Islam: After the death of the Prophet Muhammad in 632, the Muslim community split. Those who thought that his successor or caliph should be the best qualified man chose Abu Bakr. They became the Sunni Muslims, those who follow the Sunna or custome of Muhammad. Others, the shi'at 'Ali, thought that his nearest relative, his cousin and son-in-law 'Ali, should succeed him, and they became the Shi'a Muslims. Not much separates the two groups in belief and practice, but Shi'as exalt their Imams, a succession of leaders, whom they regard as a line of inspired teachers. There have also been bitter political divisions.

he Influence of Islam: Within 100 years Islam had swept over the known world, reaching from the Atlantic to the borders of China. It has remained a rapidly expanding religion, with about a quarter of the world's population being Muslims. They form nearly total majorities in countries in the Middle East, northern Africa, parts of central Asia and Indonesia. There are also substantial minorities in the West, in countries such as France, Germany, the UK, and the United States. There is also a substantial population in China.

In its early centuries Islam led the world in the recovery of Greek science and philosophy - words starting with al-, "the," such as "algebra" and "alchemy," the beginning of modern chemistry, are a trace of this.

In another reaction, some drew closer to God, seeking to know his immediate presense. These were the Sufis, a name probably deriving from suf, the rough wool cloak that they wore. This mystical Islam became widespread in the 12th century and has remained influential ever since.



3723
Lok Virsa Pehchaan / History Of Baba Bulleh Shah
« on: June 14, 2010, 06:57:27 AM »

Bulleh Shah (1680 – 1757) (Punjabi: بلہے شاہ, ਬੁੱਲ੍ਹੇ ਸ਼ਾਹ, Hindi: बुल्ले शाह), whose real name was Abdullah Shah,[1] was a Punjabi Sufi poet, a humanist and philosopher.

Background information
Born   1680
Uch, Bahawalpur, Punjab (Pakistan)
Died   1757 (aged 77)
Kasur, Punjab, Pakistan
Genres   Ghazal, Khayal, Rubai
Occupations   Musician, Poet

Early life and background

Bulleh Shah is believed to have been born in 1680, in the small village of Uch, Bahawalpur, Punjab, now in Pakistan.
When he was six months old, his parents relocated to Malakwal. There his father, Shah Muhammad Darwaish, was a preacher in the village mosque and a teacher. His father later got a job in Pandoke, about 50 miles southeast of Kasur. Bulleh Shah received his early schooling in Pandoke, and moved to Kasur for higher education. He also received education from Maulana Mohiyuddin. His spiritual teacher was the eminent Sufi saint, Shah Inayat Qadiri, from Arain tribe of Lahore Punjab.
Little is known about Bulleh Shah's direct ancestors, except that they were migrants from Uzbekistan.However, Bulleh Shah's family was directly descended from the Prophet Muhammad.

Career
A large amount of what is known about Bulleh Shah comes through legends, and is subjective; to the point that there isn’t even agreement among historians concerning his precise date and place of birth. Some "facts" about his life have been pieced together from his own writings. Other "facts" seem to have been passed down through oral traditions.
Bulleh Shah practiced the Sufi tradition of Punjabi poetry established by poets like Shah Hussain (1538 – 1599), Sultan Bahu (1629 – 1691), and Shah Sharaf (1640 – 1724).
Bulleh Shah lived in the same period as the Sindhi Sufi poet , Shah Abdul Latif Bhatai (1689 – 1752). His lifespan also overlapped with the Punjabi poet Waris Shah (1722 – 1798), of Heer Ranjha fame, and the Sindhi Sufi poet Abdul Wahab (1739 – 1829), better known by his pen-name, Sachal Sarmast (“truth seeking leader of the intoxicated ones”). Amongst Urdu poets, Bulleh Shah lived 400 miles away from Mir Taqi Mir (1723 – 1810) of Agra.

Poetry Style
The verse form Bulleh Shah primarily employed is called the Kafi, a style of Punjabi, Sindhi and Siraiki poetry used not only by the Sufis of Sindh and Punjab, but also by Sikh gurus.
Bulleh Shah’s poetry and philosophy strongly criticizes Islamic religious orthodoxy of his day.

A Beacon of Peace
Bulleh Shah's time was marked with communal strife between Muslims and Sikhs. But in that age Baba Bulleh Shah was a beacon of hope and peace for the citizens of Punjab. While Bulleh Shah was in Pandoke, Muslims killed a young Sikh man who was riding through their village in retaliation for murder of some Muslims by Sikhs. Baba Bulleh Shah denounced the murder of an innocent Sikh and was censured by the mullas and muftis of Pandoke. Bulleh Shah maintained that violence was not the answer to violence. Bulleh Shah also hailed the ninth Sikh Guru, Guru Tegh Bahadur as a Ghazi, or "religious warrior", which caused controversy among Muslims of that time.

Humanist
Bulleh Shah’s writings represent him as a humanist, someone providing solutions to the sociological problems of the world around him as he lives through it, describing the turbulence his motherland of Punjab is passing through, while concurrently searching for God. His poetry highlights his mystical spiritual voyage through the four stages of Sufism: Shariat (Path), Tariqat (Observance), Haqiqat (Truth) and Marfat (Union). The simplicity with which Bulleh Shah has been able to address the complex fundamental issues of life and humanity is a large part of his appeal. Thus, many people have put his kafis to music, from humble street-singers to renowned Sufi singers like the Waddali Brothers, Abida Parveen and Pathanay Khan, from the synthesized techno qawwali remixes of UK-based Asian artists to the rock band Junoon.
Bulleh Shah’s popularity stretches uniformly across Hindus, Sikhs and Muslims, to the point that much of the written material about this philosopher is from Hindu and Sikh authors.

Modern Renditions
In the 1990s Junoon, a rock band from Pakistan, rendered such poems as Aleph (Ilmon Bas Kareen O Yaar) and Bullah Ki Jaana. In 2004, Rabbi Shergill performed the unlikely feat of turning the abstruse metaphysical poem Bullah Ki Jaana into a Rock/Fusion song, which became hugely popular in India and Pakistan. he Wadali Bandhu, a Punjabi Sufi group from India, also released a version of Bullah Ki Jaana on their album Aa Mil Yaar...Call of the Beloved. Another version was performed by Lakhwinder Wadali titled Bullah. Bulleh Shah's verses have also been adapted and used in Bollywood film songs. Examples include the songs "Chaiyya Chaiyya" and "Thayya Thayya" in the 1998 film Dil Se. The 2007 Pakistani movie Khuda Kay Liye includes Bulleh Shah's poetry in the song "Bandeya Ho". The 2008 film, A Wednesday, included a song titled "Bulle Shah, O Yaar Mere". In 2009, Episode One of Pakistan's Coke Studio Season 2 featured a collaboration between Sain Zahoor and Noori, "Aik Alif". In June 2010 Coke Studio 3 Episode One featured "Na Raindee Hai" performed by Arieb Azhar.

Death

He died in 1757, and his tomb is located in Kasur, Pakistan

3724
Lok Virsa Pehchaan / History Of Baba Buddha ji
« on: June 14, 2010, 06:48:59 AM »

Baba Buddha ji(1506 - 1631)



Baba Buddha ji was a most venerated primal figure of early Sikhism, was born on 6 October 1506 at the village of Katthu Nangal, 18 km northeast of Amritsar (31° 36'N, 74° - 50'E). Bura, as he was originally named, was the only son of Bhai Suggha, a Jatt of Randhava clan, and Mai Gauran, born into a Sandhu family.

As a small boy, he was one day grazing cattle outside the village when Guru Nanak happened to pass by. According to Bhai Mani Singh, Sikhan di Bhagat Mala, Bura went up to him and, making obeisance with a bowl of milk as his offering, prayed to him in this manner: "O sustainer of the poor! I am fortunate to have had a sight of you today. Absolve me now from the circuit of birth and death." The Guru said, You are only a child yet. But you talk so wisely." "some soldiers set up camp by our village," replied Bura, "and they mowed down all our crops - ripe as well as unripe. Then it occurred to me that, when no one could check these indiscriminating soldiers, who would restrain Death from laying his hand upon us, young or old." At this Guru Nanak pronounced the words: "You are not a child; you possess the wisdom of an old man." From that day, Bura, came to be known as Bhai Buddha, buddha in Punjabi meaning an old man, and later, when advanced in years, as Baba Buddha.



Bhai Buddha became a devoted disciple. His marriage at the age of seventeen at Achal, 6 km south of Batala (31°- 49'N, 75°- 12'E), did not distract him from his chosen path and he spent more time at Kartarpur where Guru Nanak had taken up his abode than at Katthu Nangal. Such was the eminence he had attained in Sikh piety that, at the time of installation of Bhai Lahina as Guru Angad, i.e. Nanak II, Guru Nanak asked Bhai Buddha to apply the ceremonial tilak on his forehead. Bhai Buddha lived up to a ripe old age and had the unique honour of anointing all of the four following Gurus. He continued to serve the Gurus with complete dedication and remained an example of holy living for the growing body of disciples. He devoted himself zealously to tasks such as the digging of the baoli at Goindval under the instruction of Guru Amar Das and the excavation of the sacred tank at Amritsar under Guru Ram Das and Guru Arjan. The ben tree under which he used to sit supervising the excavation of the Amritsar pool still stands in the precincts of the Golden Temple. He subsequently retired to a bar or forest, where he tended the livestock of the Guru ka Langar. What is left of that forest is still known, after him, as Ber Baba Buddha Sahib.

Guru Arjan dev ji placed his young son, Hargobind, under Bhai Buddha's instruction and training. When the Adi Granth (Guru Granth Sahib) was installed in the Harimandar on 16 August 1604, Bhai Buddha was appointed granthi by Guru Arjan. He thus became the first high priest of the sacred shrine, now known as the Golden Temple. Following the martyrdom of Guru Arjan on 30 May 1606, Guru Hargobind raised opposite the Harimandar a platform called the Akal Takht, the Timeless Throne or the Throne of the Timeless, the construction of which was entrusted to Baba Buddha and Bhai Gurdas, no third person being allowed to take part in it. On this Takht Bhai Buddha performed, on 24 June 1606, the investiture ceremony at which Guru Hargobind put on two swords, one on each side, symbolizing miri and puri, sovereignty and spiritual eminence, respectively...



Baba Buddha passed his last days in meditation at Jhanda Ramdas, or simply called Ramdas, a village founded by his son, Bhai Bhana, where the family had since shifted from its native Katthu Nangal. As the end came, on 16 November 1631, Guru Hargobind was at his bedside. The Guru, as says the Gurbilas Chhevin Patshahi, gave his shoulder to the bier and performed the last rites Bhai Gurdas, further to quote the Gurbilas, started a reading of the Adi Granth in memory of the deceased. The obsequies concluded with Bhai Gurdas completing the recital and Guru Hargobind presenting a turban to Bhai Buddha's son, Bhana. Two shrines stand in Ramdas commemorating Baba Buddha, Gurdwara Tap Asthan Baba Buddha Ji, where the family lived on the southern edge of the village, and Gurdwara Samadhan, where he was cremated.

3725
Lok Virsa Pehchaan / Re: History Of Sikhism
« on: June 14, 2010, 06:42:39 AM »

Basic Beliefs and Facts

"Truth is higher than everything; but higher still is truthful living."
-- Guru Nanak Dev

There is one God.
"One Universal Creator God. The Name Is Truth. Creative Being Personified. No Fear. No Hatred. Image Of The Undying, Beyond Birth, Self-Existent. By Guru`s Grace"

Life's goal is to go beyond the cycle of births and deaths. This can be done by giving higher value to the spiritual rather than the material things, and by conquering anger, greed, lust, worldy attachment, and pride.
"Renouncing false greed, one comes to realize the Truth."
"Cruelty, material attachment, greed and anger are the four rivers of fire."
"Through the material universe of Shakti, no one has ever found the Lord; they continue to be born and die in reincarnation."
"May my egotism and possessiveness be burnt to ashes, and my greed and egotistical pride consigned to the fire."

Rejection of ritualism such as superstitions, religious vegetarianism, pilgrimages, fasting, and idol worship.
"Worship, fasting, ceremonial marks on one`s forehead, cleansing baths, generous donations to charities and self-mortification ...the Lord Master is not pleased with any of these rituals, no matter how sweetly one may speak."
"The fools argue about flesh and meat, but they know nothing about meditation and spiritual wisdom. What is called meat, and what is called green vegetables? What leads to sin?"
"Those who renounce meat, and hold their noses when sitting near it, devour men at night. They practice hypocrisy, and make a show before other people, but they do not understand anything about meditation or spiritual wisdom."
"If I am pleasing to Him, then that is my pilgrimage and cleansing bath. Without pleasing Him, what good are ritual cleansings?"

Rejection of distinctions in caste, creed, and race. Sikhism believes in the full equality of women and rejects female infanticide, wife burning, and allows widow remarriage.
"Recognize the Lord`s Light within all, and do not consider social class or status; there are no classes or castes in the world hereafter."
"As Gurmukh, look upon all with the single eye of equality; in each and every heart, the Divine Light is contained."
"Among all the women and the men, His Light is shining."

One should work hard and honestly rather than beg or use dishonest means.
"One who works for what he eats, and gives some of what he has. O Nanak, he knows the Path."

One should aim to help the less fortunate and share with others.
" Center your awareness on seva-selfless service-and focus your consciousness on the Word of the Shabad."

Sikhs are not required to renounce the world; they must find the way and the will of God in their everyday life.
" You may practice celibacy, truth, austere self-discipline and rituals, but without the Guru, you shall not be emancipated."
" Let your daily worship be the knowledge that God is everywhere."

3726
Lok Virsa Pehchaan / Re: History Of Sikhism
« on: June 14, 2010, 06:41:03 AM »

Founding of the Khalsa

"manas ki jat sab ik hi pahchanho"
"All men are the same"

-- Guru Gobind Singh


uring those times, the Punjabi people, including Hindus, Sikhs, and Muslims were severely persecuted under the ruling Mughal empire. The Mughals beheaded Guru Tegh Bahadur, the ninth Guru, after he helped Hindus against forcible conversion to Islam, and executed Guru Arjan, the fifth Guru, for refusing to convert. In 1699, Guru Gobind Singh, the tenth and last Guru, founded the Khalsa in reaction to the constant persecution and aimed at creating a community based on spirituality and strength with a strong identity. The Guru's efforts injected a new blood into the body of the downtrodden and made his followers become a synonym of high consciousness, high purpose, and co-existence. The Khalsa gave people self-confidence, self-esteem, and national pride, and, in the process, abolished all boundaries based on birth, caste, religion, and profession. Guru Gobind Singh's creation prepared the people for the collective action of the common good, and was the first national effort to create a social order based on the concepts of equality and unity of human race.

   Five Beloved Ones: In 1699 Guru Gobind Singh invited all Sikhs to a fair at Anandpur where he asked if anyone was willing to die to prove their faith in him. One by one, five Sikhs entered his tent. Each time, the Guru came out with his sword wet with blood. When the crowd thought they were all dead, he revealed the Panj Pyare, the five beloved ones, alive.
Guru Gobind Singh is Initiated: Having initiated the five Sikhs into the new Khalsa community, he asked them to initiate him, then declared: "The Khalsa is the Guru and the Guru is the Khalsa." In this way the Guru emphasized the equality of all Sikhs.

Wife of Guru Gobind Singh: Guru Gobind Singh's wife helped him in the initiation of people, both men and women, into the Khalsa. The Guru intended men and women to be treated as equals.

The Five K's
When the men who had offered their lives to the Guru came out of the tent, they all carried swords and wore the same safron uniform and the 5 "Ks" as he did. The Guru said to them: "My brothers, I have made you the same as I am." He asked all Sikhs to wear the 5 "Ks":

Kesh, uncut hair, the traditional Asian image of saintliness
Kangha, the comb; for the hair
Kara, steel bangle
Kachh, undergarment
Kirpan, a dagger; reminder to fight against injustice
The 5 "Ks" and the turban compose the uniform of the Khalsa. It portrays the image of the Guru, and depicts the Sikh ideal of a saint-soldier, one who aspires to be spirtual and brave.

Words of the Guru: Guru Gobind Singh described the Khalsa as follows:
Khalsa is the breath of my body,
Khalsa is the very soul of my life,
Khalsa is my real pride and glory,
Khalsa is my own personal self,
Khalsa is my life's sustainer,
Khalsa is my body and breath,
Khalsa is my creed and karma,
Khalsa is my conscience keeper,
Khalsa is my perfect satguru,
Khalsa is my brave friend,
Khalsa gives me intellect and wisdom,
Khalsa is my object of meditation.

The Khalsa in History: The Khalsa uniform is a reminder to the wearer to use the Gurus' actions as a model for their own. It also emphasizes the equality of the human race. Women and men throughout the globe have adopted or continue to follow the Khalsa tradition, and those that wear a turban have the respectful title of being called Sardars. To many, the "Ks" are an integral part of their identity and existance as individuals.

3727
Lok Virsa Pehchaan / Re: History Of Sikhism
« on: June 14, 2010, 06:39:10 AM »

The Golden Temple

"All places have I seen, none can compare to thee."
-- Guru Arjan


The Sikh Gurus recognized how easily temple worship and pilgrimage can become empty rituals, and he encouraged his followers to seek God where he may always be found - not outside in buildings, but within one's own being. The Name, Nam, dwells within everyone, as does the soundless Word of Truth, why search outside for what can be found within? But provided this is understood as the priority, it does not prevent Sikhs from building shrines to mark important places and events in Sikh history. The Golden Temple, or Harimandir Sahib, built by Guru Arjan in Amritsar, Punjab is the most important gurdwara, or Sikh temple, for the Sikhs.



The Wish of Guru Arjan
Guru Arjan, the fifth Guru, wanted the Golden Temple to be open for worship to all, regardless of caste, color, country, or sex. He declared all occupations sacred and all classes equal, and stated:

"If I go to a temple, I see men boasting;
If I enquire of Brahmins, I find them proud.
O my friends, show me that place
Where only God's praises are always sung."

The Harimandir: The Golden Temple, which was completed in 1601 by Guru Arjan, the fifth Guru, stands at the center of the holy lake of Amritsar and houses the sacred book of the Sikhs, the Guru Granth Sahib. In the Punjabi language, the temple is called Harimandir Sahib (House of God).
Taking Langar: The practice of langar, eating a communal meal, is central to the Sikh community and reflects the Sikh ideal of charity and service, where each gives according to their capacity and takes according to their needs. A Punjabi meal is provided free to all who come, regardless of caste or status. Everyone present must sit on the ground, stressing equality.


The History of the Golden Temple: The Golden Temple was first built in 1601, and the Guru Granth Sahib was installed in 1604. Always a political as well as a religious center, the temple has been the scene of many conflicts. Afghan invaders seized Amritsar in 1756 and desecrated the temple. A few years after being rebuilt, in 1762, another Afghan attack from Ahmad Shah destroyed the temple and polluted the sacred lake with the bodies of slaughtered cows. The latest conflict at the temple was in 1984, when there was damage to the temple due to conflict with the Indian government.

3728
Lok Virsa Pehchaan / Re: History Of Sikhism
« on: June 14, 2010, 06:35:50 AM »

The Guru Granth Sahib

"Such is the nature of the true believer that like the sandal tree he imparts his fragrance to all."

In 1603, Guru Arjan, the fifth Guru, began to collect the inspired and inspiring poetry of both himself and the earlier Gurus. A Granth (meaning "book") was needed, because the Sikh philosophy was spreading widely, and because hymns of doubtful authenticity were being attributed to the earlier Gurus. Guru Arjan and the faithful Bhai Gurdas went to a quiet place near Amritsar where they compiled the Adi Granth ("the Primal Book"). Almost all the hymns are organized in 31 sections following musical scales (raag). Each line in the Adi Granth is referred to by its raag, author, and sometimes also by a title. Poems by Hindus and Muslims are also included. In 1708 the tenth Guru, Gobind Singh, appointed the Adi Granth as his successor (so that after him there would be no human Guru), and it became the Guru of the Sikhs. The Adi Granth is therefore known as Guru Granth Sahib.

Guru Gobind Singh and the Holy Book
Guru Gobind Singh was the tenth and last in the line of human Gurus. Before his death, he declared the authority of the Gurus as religious and political leaders would be passed into the sacred scriptures of the Guru Granth Sahib, as well as into the Sikh community of the Guru Panth. Although the Guru's own compositions do not appear in the holy book, he was a prolific poet, and much of his work is collected in the Dasam Granth.



The Text: The script used in the holy book is called Gurmukhi. The script was created by Guru Angad Dev for all people regardless of social class. Gurmukhi uses 10 vowels and 40 consonants.
Songs of Praise: The holy book has contributions by Sikh Gurus, bhagats, and Hindu and Muslim poets. The standard length of the scriptures is 1,430 pages. It is always stressed in the Sikh faith that only what is contained in the book is important. In other words, without the true name of God all ritualistic reading from the book is meaningless. Guru Nanak stated: "The only temple that matters is inside one's self"

Requirements for Reading: Unlike many other religions, both men and women can officiate at Sikh ceremonies, and either can read the Guru Granth Sahib. There is no ordained or special priest-like privaleges needed, only the ability to read is required.

Random reading: There are many ways of reading the Guru Granth Sahib. Practices include akhand path, a continuous 48-hour reading; and wak, guidance obtained by opening at random and reading the hymn on the left-hand page.

The Adi Granth and the Guru Granth Sahib: There are two names for the Sikh holy book: the Adi Granth, the primal text, and the Guru Granth Sahib, the embodied Guru of the Sikh tradition. It is the most important of all Sikh scriptures and is primal in the sense that Sikhs believe it uncovers the truth about God, the Primal Being, which has been true for all eternity. It contains hymns of varying lengths, mostly conveying the message that spiritual liberation comes through a belief in the divine name, or Nam, not through ritualism.

3729
Lok Virsa Pehchaan / Re: History Of Sikhism
« on: June 14, 2010, 06:32:37 AM »

Life of Guru Nanak

Guru Nanak was born in 1469, in a small village, Talwandi, in current day Pakistan. He married at 12 years old and worked as an accountant, but he constantly portrayed interest in a quest of spirtuality. In 1499, while bathing in the Bein River, Nanak experienced the call of God. When he came from the river after 3 days, he gave away his possessions and said, "There is neither Hindu nor Muslim." In other words, God is greater than the divided opinions of religions. Nanak began to travel where he taught and chanted hymns and established worship places. He settled in Kartarpur with his followers and died around September of 1539. Before his death, he designated one of his most devoted and spiritual followers, Lahina, to be his successor as Guru, and thus the Sikh movement continued after Nanak's death with a succession of Gurus.
    Portraits of Guru Nanak are common in the households of Punjab. Nanak wears a saffron robe and a shawl. These are the traditional clothing of a person who has chosen a spiritual path and remind people of Guru Nanak's foremost role as a spiritual teacher, who humbles the proud and enlightens the devout. He is always shown wearing a mukat, a crown-shaped turban. His half-closed eyes represent spiritual ecstasy, the divine intoxication of mystical meditation. He is always portrayed with a flowing white beard, which gives the impression of of a wise old sage and is in accordance with the Sikh ideal of uncut hair.
Guru Nanak and the Rich Man
Guru Nanak came to Lahore in current day Pakistan, where there was a rich man, Duni Chand, who was holding a feast offered to Brahmins. He believed that whatever he offered to the Brahmins would reach his father in heaven. Guru Nanak gave Duni Chand a needle and said that he must give it back to him in heaven. Duni Chand asked Nanak how it would be possible for him to take a needle to heaven. Guru Nanak told him that it is not possible to take anything with us; it is more important to be charitable to those living.

Guru Nanak Visits Mecca
Nanak and his companions arrived at the Muslim city of Mecca. They went to sleep in the precincts of the Great Mosque, and a passing Muslim official was shocked to find that the visitors were sleeping with their feet pointing towards the Ka'ba, the sacred shrine. At the Muslim's command, an attendent siezed the legs of the visitors and dragged them away, and the Ka'ba moved too. Guru Nanak said to the official, "God does not live in one place. He lives everywhere."

3730
Lok Virsa Pehchaan / Re: History Of Sikhism
« on: June 14, 2010, 06:30:06 AM »


The Ten Gurus


"The Guru is my ship to cross sin's lake and the world ocean. The Guru is my place of pilgrimage and sacred stream."
-- Guru Nanak
Gurus in South Asian religions are spiritual guides. The word "guru" means "weighty one," and gurus are those who bear the weight of wisdom and knowledge. Among Sikhs, the word takes on another meaning because the Gurus do not simply teach and guide individuals; they are community leaders as well.




Guru Nanak (1469-1539), the first Guru, belonged to the Hindu kshatriya caste. Following a mystical experience, he visited various parts of the world, teaching that everything is created by God, and the way to come close to him is through devotion and meditation, not ritual. After his travels, he re-united with his family in Kartarpur in the Punjab and composed 974 hymns, expressing his realization of God. His teachings were later compiled into the Sikh holy book, the Guru Granth Sahib.

Guru Angad (1504-52) was chosen by Guru Nanak as his successor. By selecting a follower rather than a son, Guru Nanak set a pattern for Guruship based on devotion rather than kinship. Angad created Gurmukhi, the script used for the Punjabi language and the writings for the Guru Granth Sahib, as well as 62 hymns that were later incorporated into the Guru Granth Sahib.




Guru Amar Das (1479-1574) became the third Guru at the age of 73. He promoted the free communal kitchen, langar, which was open to serve all day and night. He also introduced the birth and death ceromonies for Sikhs.
Guru Ram Das (1534-1581), the fourth Guru, founded Amritsar, the most sacred city for Sikhs. His followers dug the pool that was to become the Harminder Sahib, the lake that surrounds the Golden Temple, which became the most important Sikh temple.

Guru Arjan (1563-1606), son of Guru Ram Das, became the fifth Guru. He collected the hymns of the previous Gurus, and, with his own 2,216 contributions, prepared the Guru Granth Sahib, the Sikh holy book. In addition, he built the Golden Temple that was to house the scriptures.
Guru Hargobind (1595-1644), the sixth Guru, proclaimed that the Guru must be a military leader as well as a spiritual leader. He also founded the town of Kiratpur.

Guru Har Rai (1603-1661), grandson of Guru Hargobind, was the seventh Guru.
Guru Har Krishan (1656-1664), the eighth Guru, was the youngest Guru.

Guru Tegh Bahadur (1621-1675), the ninth Guru, was barred from Amritsar by the ruling Mughal empire. He was beheaded in Delhi by Muslims after helping Kashmiri Brahmins against forcible conversion to Islam by the emperor Aurangzeb.

Guru Gobind Singh (1666-1708) became the tenth and final living Guru after his father, Guru Tegh Bahadur, was executed. Guru Gobind Singh resisted oppression by the Mughal authorities and Hindu kings, and he exemplified the Sikh ideal of a saint-soldier, someone in whom sanctity and heroism are combined. He was the founder of the Khalsa as well as a poet.

The concept of Guru is central to the Sikh faith, and applies to God, the ten human masters, the scriptures, and the community. Consequently, many Sikh names begin with Gur, as do important words such as gurmukh (one who is oriented toward the Guru); Gurmukhi (the script of the Guru Granth Sahib and the Punjabi language), and gurdwara (the place of worship). The ten Gurus saw the Guru as the spiritual guide within, and God is often referred to as Wah Guru. In Sikh belief, all the Gurus are one in spirit; their souls are indistinguishable. To emphasize the oneness of the Gurus, the authorship of the hymns in the Guru Granth Sahib is not ascribed to individual Gurus by name, but by their number in the succession of Gurus.

3731
Lok Virsa Pehchaan / History Of Sikhism
« on: June 14, 2010, 06:24:03 AM »


Introduction to Sikhism

In the religious sense, a Sikh, which literally means learner, is someone who believes in one God, Sat Guru, and follows the teachings of Gurus who reveal his teachings. The Gurus are the ten leaders of the Sikh faith, from the founder, Guru Nanak (1469-1539), to Guru Gobind Singh (1666-1708); and the Guru Granth Sahib, the Sikh scripture that became the final Guru after the death of Guru Gobind Singh.

In 1699, on Vaisakhi day, a Spring harvest festival, the tenth Guru, Guru Gobind Singh, created the Khalsa. In founding the Khalsa, the Guru injected a new blood into his followers and encouraged them to be saint-soldiers, those who set life's goals on being spiritual and brave. The tenth Guru asked people to replace their last names, which specified their caste, with Singh, for men, and Kaur, for women, and, in addition, to keep the five "Ks" - five items beginning with the letter K: kesh, uncut hair; Kangha, a comb; Kirpan, a steel dagger, Kara, a steel bangle worn on the wrist; and Kachh, an undergarment. Guru Gobind Singh's aim in instituting the Khalsa was to create a social order based on the concepts of equality and unity of the human race.



Sikhism began in North India in the 15th century, with the life and teachings of Guru Nanak Dev. At the time there was tension between Hindus and Muslims, and various religious movements, who sought a love of God beyond religious conflict. Nanak was influenced by these groups, and stated: "There is no Hindu or Muslim, so whose path shall I follow? I shall follow the path of God." But Guru Nanak was moved even more by his own profound experience of God. As a result, he made sure that there would be a movement to follow his way by appointing a Guru to succeed him.





Guru Nanak emphasized the absolute unity and sovereignty of God. He believed that God created everything, and that everything is dependent on God's will. God does not become manifest in the world, but his will becomes known internally. Because so, meditation is of highest importance for Sikhs. Guru Nanak described like: "God is One, whose name is truth, the immanent creator, without fear, without hostility, immortal in form, unborn, self-sustaining, known by the grace of the Guru."

Humans are bound by karma, the moral law of cause and effect, which is worked out through rebirth. God provides them help to move through various stages, from being a wrong-doer, or manmukh, to being devoted to the Guru and absorbed in him, or gurmukh. The manmukh indulges in the five deadly evils, namely greed, pride, anger, lust, and worldly attachment, and is lost in maya, which means giving higher value to material things in life than to the spiritual. The final stage is utter bliss, or sachkand, which is beyond words and beyond rebirth.

Sikhs do not need to renounce the world; they must find the way of God in everyday life. There is strong emphasis on selfless community service, or seva, and the gurdwara, the Sikh temple, is the center of Sikh life. The gurdwara has the Guru Granth Sahib, the Sikh scripture, and people assemble there for worship and singing of hymns or kirtan. Every gurdwara has langar, which is the practice of cooking and serving food for free, without distinctions of race, religion, gender, or caste. The voluntary work and donations needed for langar summarize the demands and privileges of community service.

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Lok Virsa Pehchaan / Religions of the Punjab
« on: June 14, 2010, 06:18:50 AM »



Punjabis, who are of various religious backgrounds, such as Judiasm, Buddhism, and Christianity, are in majority either Sikh, Muslim, or Hindu. The Punjab is a cradle of great philosophical and spiritual aspirations. Major scriptures of Hinduism, such as the Rig Veda, Ramayana, and Bhagavad Gita were conceived in this land. In addition, in the 15th century Guru Nanak founded Sikhism. About 200 years later, the Sikhs were communialized through a movement called the Khalsa.

3733
Lok Virsa Pehchaan / Re: History Of Bhangra
« on: June 14, 2010, 06:15:14 AM »

Punjab in the 21st Century
The years after partition tested the traditional Punjabi tenacity and toughness. Rapid achievements in agriculture and industry and in the field of education, services, social welfare, and rural uplift helped the Punjab become one of the most prosperous regions in Southeast Asia.

Punjab has attained an equally eminent place in the world of both performing and visual arts and in literature. The revival of folk art, song, dance, and drama, the rehabilitation of the ancient classics of poetry, and the rediscovery of the Sikh schools of painting have created a sense of pride and climate of involvement in the heritage of the Punjab.

The Bhangra
Although Bhangra has possibly existed since as long ago as 300 BC, over the past forty years it has experienced new highs in popularity and innovation. The term "Bhangra" has gradually evolved and now refers to many different sub-classes of dance and music for many occasions.

The Origin of Bhangra
While Bhangra historians speculate the dance may have originated in the time of the wars with Alexander, no one is sure it existed until about five hundred years ago. Around the 14th or 15th Century, Punjabi wheat farmers danced and sang songs about village life to help pass the time while working in the fields. With time, these became part of harvest celebrations at Bhaisakhi (April 13) festivals, as the sight of their crops growing invigorated the farmers. From here the dance quickly moved through all divisions of class and education, eventually becoming a part of weddings, New Year parties, and other important occasions.

The Many Sub-Dances of Bhangra
Bhangra has developed as a combination of dances from different parts of the Punjab region. The term "Bhangra" now refers to several kinds of dances and arts, including Jhumar, Luddi, Giddha, Julli, Daankara, Dhamal, Saami, Kikli, and Gatka.

Jhumar, originally from Sandalbar, Punjab, comprises an important part of Punjab folk heritage. It is a graceful dance, based on a specific Jhumar rhythm. Dancers circle around a drum player while singing a soft chorus.

A person performing the Luddi dance places one hand behind his head and the other in front of his face, while swaying his head and arms. He typically wears a plain loose shirt and sways in a snake-like manner. Like a Jhumar dancer, the Luddi dancer moves around a dhol player.

Women have a different but equally exuberant dance called Giddha. The dancers enact verses called bolis, representing a wide variety of subjects - everything from arguments with a sister-in-law to political affairs. The rhythm of the dance depends not only the drums, but also on the handclaps of the dancers.

Julli is a dance associated with Muslim holy men called pirs and is generally performed in their hermitages. Typically the dancers dress all in black, and perform Julli in a sitting posture, but it is sometimes also done around the grave of a preceptor. Julli is unique in that one person, alone, can perform the dance if he so desires.

Daankara is a dance of celebration, typically performed at weddings. Two men, each holding colorful staves, dance around each other in a circle while tapping their sticks together in rhythm with the drums.

Dancers also form a circle while performing Dhamal. They also hold their arms high, shake their shoulders and heads, and yell and scream. Dhamal is a true folk-dance, representing the heart of Bhangra.

Women of the Sandalbar region traditionally are known for the Saami. The dancers dress in brightly colored kurtas and full flowing skirts called lehengas.

Like Daankara, Kikli features pairs of dancers, this time women. The dancers cross their arms, hold each other`s hands, and whirl around singing folk songs. Occasionally four girls join hands to perform this dance.

Gatka is a Sikh martial art in which people use swords, sticks, or daggers. Historians believe that the sixth Sikh guru started the art of gatka after the martyrdom of fifth guru Guru Arjan Dev. Wherever there is a large Khalsa Sikh population, there will be Gatka participants, often including small children and adults. These participants usually perform Gatka on special Punjabi holidays.

In addition to these different dances, a Bhangra performance typically contains many energetic stunts. The most popular stunt is called the moor, or peacock, in which a dancer sits on someone`s shoulders, while another person hangs from his torso by his legs. Two-person towers, pyramids, and various spinning stunts are also popular.

Bhangra Costumes
Traditionally, men wear a lungi while doing Bhangra. A lungi is a colorful piece of cloth wrapped around the waist. Men also wear a kurta, which is a long Punjabi-style shirt. In addition, men wear Bhugaris - also known as turbins - to cover their heads.

Women wear the traditional Punjabi dress, salvar kameez. A salvar kameez is composed of a long colorful shirt and baggy, vibrant pants. Women also wear duppattas, colorful pieces of cloth wrapped around the neck. Many Bhangra songs make references to the duppatta.

Bhangra Instruments
Many different Punjabi instruments contribute to the sound of Bhangra. Although the most important instrument is the dhol drum, Bhangra also features a variety of string and other drum instruments.

The primary and most important instrument that defines Bhangra is the dhol. The dhol is a large, high-bass drum, played by beating it with two sticks. The width of a dhol skin is about fifteen inches in general, and the dhol player holds his instrument with a strap around his neck.

The string instruments include the tumbi, sarangi, sapera, supp, and chimta. The dhad, dafli, dholki, and damru are the other drums. The tumbi, famously mastered by Amar Singh Chamkila, a famous Punjabi singer, is a high-tone, single-string instrument. Although it has only one string, mastering the tumbi takes many years. The sarangi is a multi-stringed instrument, somewhat similar to the violin. The sapera produces a beautiful, high-pitched stringy beat, while the supp and chimta add extra, light sound to Bhangra music. Finally, the dhad, dafli, dholki, and damru are instruments that produce more drum beats, but with much less bass than the dhol drum.

Bhangra Lyrics
Bhangra lyrics, always sung in the Punjabi language, generally cover social issues such as love, relationships, alcohol, dancing, and marriage. Additionally, there are countless Bhangra songs devoted to Punjabi pride themes and Punjabi heroes. The lyrics are tributes to the rich cultural traditions of the Punjabis. In particular, many Bhangra tracks have been written about Udham Singh and Bhagat Singh. Less serious topics include beautiful ladies with their colorful duppattas, and dancing and drinking in the fields of the Punjab.

Bhangra singers do not sing in the same tone of voice as their Southeast Asian counterparts. Rather, they employ a high, energetic tone of voice. Singing fiercely, and with great pride, they typically add nonsensical, random noises to their singing. Likewise, often people dancing to Bhangra will yell phrases such as "Hey hey hey," "Balle balle," or "Hey aripa" to the music.

Bhangra Today
Bhangra has come a long way in the 20th Century and has recently taken the entertainment industry by storm. In the 1970s and 1980s, many Punjabi singers from Southeast Asia and the United Kingdom emerged, setting the stage for Bhangra to become a hot new trend in dance music. Modern Bhangra artists, in addition to recording and performing traditional Bhangra, have also fused Bhangra with other music genres, such as hip-hop, reggae, house, and drum-and-bass.

Bhangra in the 1970s
In the late 1960s and 1970s, several singers from the Punjab set the stage for Bhangra to become a mass phenomenon. These singers, some of whom are still active today, include Kuldip Manak, Amar Singh Chamkila, and A. S. Kang.

Kuldip Manak, a Bhangra legend, has come to represent the ultimate Punjabi folk music icon. Malkit Singh, a current Bhangra star, says, "Kuldip Manak was one of my singing idols when I was growing up". He symbolizes the essence of Punjabi culture with regards to its history and people. Manak was raised into a musical family; his father was a singing priest in gurudwaras (Sikh temples) in Punjab. Manak`s first release was in 1968 when he was just 14 yrs old. He went on to author hundreds of songs, many of which are covered and remixed by contemporary artists.

Chamkila, whose music has received a recent rebirth in popularity, was born on 21 July 1961 in Ludihana, Punjab, from a poor family and lived in great poverty. He wanted to be an electrician, but his family could not afford his education, so he turned to music at a young age. When he was seven years old, he learned the Dholki drum, and he began writing songs when he was only ten. Many Punjabi singers used his songs, and in the late 70s Chamkila began performing himself. He joined a lady named Amarjyot in the early 80s and together they toured the world, visiting countries such as the USA, Canada, Dubai, and Bahrain. Chamkila was extremely popular, but also very controversial, due to his often vulgar and offensive lyrics. Despite countless death-threats, the artist refused to alter his style. However, in 1988 Chamkila and Amarjyot were killed at a show in Mesumpur as they stepped out of their car. The official blame was put on terrorists, but many believe that rival singers, envious of the couple`s success, arranged the killing. Chamkila, a legend of Punjabi folk, was only twenty-seven years old when he was killed. He had over two hundred unreleased songs finished at the time of his death, many of which have been recorded and released by modern artists.

A.S. Kang has been in the Bhangra industry for a long time, and just released a new album, The Kangsta, in 1999. With over twenty years of industry experience, he is now referred to as the "Big Daddy." Kang`s music has evolved with time, and his recent releases have featured combinations of swing, techno and dance music with his more traditional folk vocals.

Other artists that had a huge influence on the growth of Bhangra are Bhujangy, Asa Singh Mastana, Surinder Kaur and Parkash Kaur, Lalchand Yamla Jat, K. Deep and Jagmohan Kaur, and Alam Lohar.

Bhangra in the 1980s
It was not until the early eighties that Bhangra moved from "secluded halls and venues to the bright lights of the clubs and cities of England." First generation Asians were intrigued by their musical heritage, and helped bring Bhangra to the mainstream in their new country.

One of the biggest Bhangra stars of the last several decades is Malkit Singh - known as "the golden voice of the Punjab" - and his group, Golden Star. Malkit was born in June 1963, in the village Hussainpur, in Punjab. He attended the Khalsa College, Jalandhar, in the Punjab, in 1980 to study for a B.A. in Arts. Here he met his mentor, Professor Inderjit Singh, who nurtured his skills in Punjabi folk singing and Bhangra dancing. Thanks to Singh`s tutelage, Malkit entered and won many song contests during this time. In 1983 he won a gold medal at the University of Guru Nanak, in Amritsar, Punjab, for performing his hit song Gurh Naloo Ishq Mitha, which later featured on his first album, Nach Gidhe Wich, released in 1984. The album was a strong hit among South Asians worldwide, and after its release Malkit and his band moved to the United Kingdom to continue their work. Malkit has now produced 16 albums and has toured 27 countries in his Bhangra career.

Gurdaas Mann also had a huge impact on Bhangra music. He started his career in 1982 with his first album, Dil Da Mamla. Since then he has become an idol for many, not only for his musical talent, but also his acting ability. He appeared in the Punjabi film Long Da Lishkara, which included the mega hit Challa (recently remixed by Punjabi MC on his album Legalised). Since 1982 Gurdass Mann has released a number of hit albums, performed at sold-out concerts around the world and recently released the hugely popular single, Apna Punjab.

The group Alaap, fronted by Channi, the man made famous by his white scarf, hails from Southall, a Punjabi area in London. Their album Teri Chunni De Sitaray, released in 1982 by Multitone, created quite a stir at a time when Bhangra was still in its early days in the UK. This album played a critical role in creating an interest in Bhangra among Asian university students in Britain.

Heera, fronted by Kumar and Dhami, was one of the most popular bands of the eighties. Fans were known to gatecrash weddings they played. The group established itself with the album Diamonds, released early in the decade. This album is notable for being one of the first Bhangra albums to successfully mix Western drums and synthesizers with traditional Punjabi instruments.

Several other influential groups appeared around the same time, including Apna, from Birmingham, and the Bhujungy Group. Apna, most famously known for their hit Mera Yaar Vajavey Dhol, are still performing and are known as one of the best live acts in Bhangra.

Bhangra in the 1990s
Bhangra took massive steps toward mainstream credibility in the 1990s, especially among youths. At the beginning of the nineties, many artists returned to the original, folk beats of Bhangra, often incorporating more dhol drum beats and tumbi. This time also saw the rise of several young Punjabi singers.

The most influential of these young superstars was the "Canadian folkster," Jazzy Bains. Originally from Namasher in Punjab, "Jazzy B," as he is commonly referred to, has become one of the preeminent Bhangra artists in the world after his debut in 1992. Having sold over 55,000 copies of his second album, Folk and Funky, he is now one of the best-selling Bhangra artists in the world, with a vocal style likened to that of Kuldip Manak. Although his music has a traditional Punjabi beat, Jazzy Bains has taken up a particularly modern, thug-like image for himself, perhaps helping his popularity in the process.

Another famous young Bhangra super star is Bhinda Jatt, "the Folk Warrior of California." Jatt, whose style reminds many of Bains, started his career alongside his brother Kaiser, an excellent dhol player. Their first album was a huge success and Bhinda is currently is one of the top singers in the industry.

Balwinder Safri, based in the UK, gives strong vocals to classic tracks. Since releasing his first album, Reflections, in 1991, Safri has signed with BMG Multitone and become one of the most sought-after Bhangra singers in the world. His career highlights include his 1994 album, Get Real, which remained atop the Bhangra charts for eight weeks, and releasing the first Bhangra single ever, Legends, in 1995. Over the last few years he has reaped tremendous success around the world, through both live and recorded performances. His releases to date highlight his vocal versatility.

Hailing from the Punjab, Surjit Bindrakhia has arguably the most powerful and versatile voice of any modern Bhangra singer. Featuring a throaty and wide-ranging voice, Bindrakhia is the most successful traditional artist in the world, producing most of his music in India. He has been famous in Punjab for many years, but he only reached worldwide notoriety with Dupatta Tera Sat Rang Da, one of the most popular Bhangra songs of all time. There are more sustained dhol beats in Bindrakhia`s work than in that of most UK-based Bhangra artists.

Other influential Bhangra artists include Surinda Shinda - famous for his Putt Jattan Da, Harbhajan Mann, Manmohan Waris, Sarbjit Cheema, Hans Raj Hans, Sardool Sikander, Geet the MegaBand, Anakhi, Sat Rang, XLNC, B21, Shaktee, Intermix, Sahara, Paaras, PDM, DCS, Amar Group, Sangeet Group, and Bombay Talkie.

Bhangra Pop & Remixes
Many South Asian DJs, especially in America, have mixed Bhangra music with house, reggae, and hip-hop to add a different flavor to Bhangra. These remixes continued to gain popularity as the nineties came to an end.

Of particular note among remix artists is Bally Sagoo, a Punjabi-Sikh, Anglo-Indian raised in Birmingham, England. Sagoo described his music as "a bit of tablas, a bit of the Indian sound. But bring on the bass lines, bring on the funky-drummer beat, bring on the James Brown samples," to Time Magazine in 1997. He was recently signed by Sony as the flagship artist for a new label based in Bombay. Another remarkable fact about Sagoo is that first single off his album Dil Cheez debuted in October 1996 at No. 12 on the British pop chart, the first Urdu/Hindi song ever to do so; the second, Tum Bin Jaya, entered at No. 21. Says Time, "Sagoo meanwhile has sketched a profile as high as his spiky coiffure, appearing on BBC TV`s Top of the Pops, as host of MTV Asia`s Club MTV, and as the opening act for Michael Jackson`s mammoth Bombay concert." Artists like Sagoo, while not performing traditional Bhangra, are an important factor in Bhangra`s growing mainstream presence.

The continued success and growth of Bhangra music worldwide has provided the impetus for many different offshoots from traditional Bhangra. The most popular of these is Daler Mehndi, a Punjabi singer from India, and his music, known as "Bhangra Pop." Mehndi has become a major name not just in Punjab, but also all over India, with tracks such as Bolo Ta Ra Ra and Ho Jayegee Balle Balle. He has made the sound of Bhangra-pop a craze amongst many non-Punjabis in India, selling many millions of albums. Perhaps his most impressive accomplishment is the selling of 250,000 albums in Kerela, a state in the South of India where Punjabi is not spoken.

Toward the end of the decade, Bhangra continued its assault on mainstream culture, with artists like Bally Sagoo and Apache Indian signing with international recording labels Sony and Island. Moreover, Multitone Records, one of the major recording labels associated with Bhangra in Britain in the eighties and nineties, was bought by BMG. Finally, a recent Pepsi commercial launched in Britain featured South Asian actors and Bhangra music. This, perhaps more than anything else, is a true sign of the emergence of Bhangra into popular culture.

Bhangra in North America
Punjabi immigrants have encouraged the growth of Bhangra in the western hemisphere. However the Bhangra industry has not grown in North America nearly as much as it has grown in the United Kingdom. Indian Lion, a UK Bhangra artist explains why:

The reasons there`s a lot of bands in England is because there`s a lot of work in England. In England the tradition that`s been going on for years now is that there`s weddings happening up and down the country every weekend, and it`s part of the culture that they have Bhangra bands come and play, who get paid 1800 quid a shot, you know. Most of the bands are booked up for the next two years. And England is a country where you can wake up in the morning and by lunchtime you can be at the other end of the country, it helps. In Canada it takes 3 days to get to the other side of the country, so there`s no circuit there. And it isn`t a tradition [in North America] to have live music at weddings. There are a few bands here that play a few gigs, but nothing major.

However, with the emergence of North American Bhangra artists such as Jazzy Bains, Bhinda Jatt, and Sangeet Group, and the growth of the remix market, the future for Bhangra in this continent looks good.

Bhangra Competitions
Bhangra competitions have been held in the Punjab for many decades. However, now universities and other organizations have begun to hold annual Bhangra dance competitions in many of the main cities of the United States, Canada, and England. At these competitions, young Punjabis, other South Asians, and people with no South Asian background compete for money and trophies. In the West, unlike the Punjab, there is less emphasis on traditional Bhangra moves, but rather more focus on a general look of the dance; for example, many teams at these competitions perform several hip-hop moves. This synergy of the Bhangra dance with other cultures` parallels the music`s fusion with different genres. University competitions have experienced an explosion in popularity over the last three years (Bhangra Blowout, hosted by George Washington University on 1 April 2000, sold out to a crowd of 4,000 people, with scalpers reportedly getting $80 per ticket at the door), and help to promote the dance and music in mainstream culture.

Conclusion
Beginning as a form of lively folk music performed at harvests in the Punjab, Bhangra has evolved remarkably over the past five hundred years. The music now fully represents the culture of the Punjab region, and the struggles of its people in their long and storied history. Moreover, the music still evolves today, incorporating elements of many different kinds of music from around the world, while still existing in its traditional form. Thanks to this diversification, Bhangra now reaches a larger audience than ever, all over the world. Bhangra competitions at universities in England, Canada, and America, as well as Southeast Asia, help to further the dance`s popularity. A person can easily expect Bhangra to continue its movement into mainstream culture well into the 21st Century.



Pj pari & pj gallery team

Desi Jatti!!!!!

3734
Lok Virsa Pehchaan / History Of Bhangra
« on: June 14, 2010, 06:13:48 AM »


Introduction
Bhangra is a lively form of music and dance that originated in the Punjab region in Southeast Asia. As many Bhangra lyrics reflect the long and often tumultuous history of the Punjab, knowledge of Punjabi history offers important insights into the meaning of the music. While Bhangra began as a part of harvest festival celebrations, it eventually became a part of such diverse occasions as weddings and New Year celebrations. Moreover, during the last thirty years, Bhangra has enjoyed a surge in popularity worldwide, both in traditional form and as a fusion with genres such as hip-hop, house, and reggae. As Bhangra continues to move into mainstream culture, an understanding of its history and tradition helps to appreciate it.
Punjab
The birthplace of Bhangra, the Punjab is a region extending over part of Northern India and Northeastern Pakistan. Translated, the name "Punjab" means the "Land of Five Rivers." The people of the Punjab are called Punjabis and they speak a language called Punjabi. The three main religions in the area are Sikhism, Hinduism, and Islam. The region has been invaded and ruled by many different empires and races, including the Aryans, Persians, Greeks, Muslims, and Mongols. Around the time of the 15th Century, Guru Nanak Dev founded the Sikh religion, which quickly came to prominence in the region. The 19th Century saw the beginning of British rule, which led to the emergence of several heroic freedom fighters, the subject of many Bhangra songs. Finally, the Punjab was split between Pakistan and India at the end of British rule in 1947. This partitioning resulted in a large migration of Punjabis into the United Kingdom, which eventually led to the emergence of Bhangra in Western clubs and dancehalls.

Aryan Migrations (1500 BC - 100BC)
Between 1500 BC and 100 BC the Aryan people migrated in large numbers to Punjab, drawn mainly by the area`s agricultural richness. The Aryans and their interactions with the natives dominate the next thousand-year history of Punjab. During this time the oldest books of human history, the Rig-Vedas, are supposed to have been written, and the Aryan tongue Sanskrit came into use in the area.

The Persians
Punjab, located at the outskirts of the great Persian empires, came under occasional Persian control. While the Persian king Darius The Great (521-486 BC) is reported to have attacked the Punjab and occupied some parts, King Gustap finally succeeded in occupying the entire region in 516 BC. The Punjab eventually became the wealthiest province in the Persian kingdom.

The Greeks & Alexander
The Greeks, rivals of the Persians, also coveted the Punjab. Throughout the time of 500-300 BC, several Greek scholars wrote of the area, describing a fertile land with numerous rivers.

In 326 BC Alexander The Great and his armies seized the "prosperous plains" of the Punjab. Although Alexander died only nineteen months later, the region remained under the control of other Greek rulers for several hundred years. Meanwhile, the Mauryas came to power in India, bringing with them a time of "artistic achievements".

Some scholars believe Bhangra originated during this time with the battles with Alexander.

The Muslims
After the time of the Mauryas, the Punjab - and the rest of India - endured several hundred years of chaos. Because the Punjab is located in a strategically valuable position, many different groups fought for its control. These groups include the Huns, the Hindus, Buddhists, and several other tribes from central Asia.

Following the birth of Islam in Arabia in 6th century AD, Arabs rose in prominence and replaced the Persians as the major power in the area. In 712 AD, Mohammad bin Qasim commanded an Arab army that took much of the Punjab. Three centuries later, several generations of Turk rulers seized the entire Punjab, and later much of India.

The Punjab saw more tumultuous times from the end of the Muslim dynasties until the late 18th Century. Several different Muslim groups, as well as the Mongols, attacked, occupied, and lost various parts of the region numerous times. The area`s strategic position was "unrivaled," and every new ruler tried to seize control of it. Through the many years of upheaval and fighting, these diverse groups formed a cultural melting pot, eventually all blending together into one society.

The Rise of Sikh Power
During this chaotic time, however, a remarkable man was born - a man who would transform the Punjabi consciousness permanently. This was Guru Nanak Dev. Born in 1469 in the district of Sheikhupura, Guru Nanak spent his entire adult life roaming the world. His travels included the entirety of Punjab and South East Asia, Mecca, and even Rome. By the time he died in 1539 he had launched a powerful movement with radical rejection of caste, dogma, ritualism, gender inequality, and superstition - the Sikh religion.

Over the next two centuries, nine other Gurus led the Sikhs. The tenth and final master, Guru Gobind Singh (1661-1708 AD), created the Khalsa. This was an army of saint-warriors to protect the downtrodden. He also gave Sikhs their names: Singh for males, Kaur for women, and he infused a new spirit among the masses to rise up against the ferocity of their rulers. He charged his Sikhs with the responsibility of fighting for the exploited and the oppressed.

Ranjit Singh
The Sikhs quickly established themselves as the rulers of the greater part of Punjab, culminating with the rule of Maharaja (King) Ranjit Singh, known to be one the most outstanding rulers in the history of the region. Known for his outstanding abilities in military leadership, diplomacy, and administrative skills, he combined many small communities at war with themselves into a united and strong Punjab. He took Lahore in 1799 and was proclaimed Maharaja in 1801. He is best remembered for creating a kingdom for all Punjabis, regardless of religion, caste, color, or creed.

During his reign, Singh signed a treaty to keep the British East India Company from interfering with the Punjab, while he continued to expand his kingdom to the north and west. Although he remained a devout Sikh for his entire life, Singh maintained a secular empire in which citizens of all religions lived together in peace. He died at Lahore on 27 June 1839, and the Sikh Kingdom that he built expired soon after.

The British, and the Punjabi Heroes
In 1849, the British took down the weakened Punjab army, devoid of the leadership and organization of Ranjit Singh, and gained control of the region, along with the rest of Southeast Asia. The British colonial rule was markedly different from that of Ranjit Singh, and the people were not happy - many Punjabis fought hard against British rule.

Although the British committed many atrocities, one event in 1919 is especially important. At Amritsar, Punjab, about 20,000 demonstrators protesting British rule confronted troops commanded by General Reginald E. H. Dyer in an open space known as the Jallianwalla Bagh. The troops fired on the crowd, killing an estimated 379 and wounding about 1,200. The shooting was followed by the proclamation of martial law, public floggings, and other humiliations. Although the event ended Dyer`s career, the governor of Punjab, Michael O`Dwyer, publicly supported his actions. This event left a permanent scar on Indo-British relations and was the prelude to Mahatma Gandhi`s Non-Cooperation movement.

This event brought about the emergence of many revolutionary Punjabis, including Bhagat Singh and Udham Singh. Many of these Sikhs took a violent road in achieving independence, in stark contrast to the methods of Gandhi.

Bhagat Singh was born into a family of Sikh farmers in the Punjab in 1907. His father, grandfather, and uncle were all politically active, working to achieve reform and independence in India, and Bhagat would soon develop similar ambitions. He grew up in the uneasy aftermath of the Jalianwala Bagh massacre, visiting the site when he was only fourteen. Although he began his political career by printing and distributing pamphlets and newspapers in an effort to raise political awareness in India, Bhagat Singh soon became one of the many Punjabis who elected to drive the British out of India by violent means. In 1928, he shot a British officer as retribution for the beating death of an Indian protestor. Bhagat was eventually arrested, and hanged in 1931.

Born in 1899 in the Punjab, Udham Singh was an eyewitness to the events at Jallianwalla Bagh. That event was a turning point for Udham, who devoted the rest of his life to liberating India. Between 1919 and 1933 he traveled to America, India, Egypt, Ethiopia, France, Germany, and Russia, making many contacts with other revolutionaries. He eventually entered England in 1933, determined to execute O`Dwyer. He laid low for seven years, waiting for the perfect, public opportunity in order to gain the most publicity for his cause. He finally succeeded in 1940, shooting O`Dwyer at a public meeting in London. He was hanged later that year. Under interrogation in prison, Udham Singh consistently used the name of Mohammed Singh Azad, even after the police had discovered his real name. This alias, which incorporates three different religions, symbolized that his sacrifice was for all Indians, regardless of their ethnicity or class.

Both Bhagat Singh and Udham Singh became legendary heroes for the Indian people. They were the subjects of countless Bhangra songs, and youth throughout the country idolized them. They went on to become symbols of bravery and the struggle to free India.

Partition of the Punjab
Perhaps because of its ethnic heterogeneity and turbulent history, the Punjab was partitioned between India and Pakistan when India gained its independence from Britain in 1947. As a result of the Indian Independence act, the Punjab was divided into the East Punjab province of the Union of India and the West Punjab province of Pakistan. This division, and the political problems accompanying Indian independence, led to a lack of resources (water, specifically) and a great deal of violence. As a result, many Muslims, Hindus and Sikhs abandoned their homes in the Punjab and moved to friendlier lands. In total, eight million people were uprooted, one of the largest mass-migrations in modern history. Because of the possibility of open immigration to Britain from any Commonwealth country, many people came to large British industrial cities like London, Birmingham and Manchester. (Birmingham especially is now home to a thriving Bhangra scene.)

At the same time, thousands of South Asian people, having been transplanted to work on railways in East Africa during the 1940s and 50s, also came to England. Thus, South Asian communities formed in Britain from people of diverse backgrounds, each with their own musical traditions. This diversity set the stage for the eclectic nature of the western Bhangra movement in the latter 20th Century.

3735
Lok Virsa Pehchaan / History Of Punjabi Culture Clothing
« on: June 14, 2010, 06:11:42 AM »





Women's Clothing
Punjabi girls and women wear salwar kameez's with bright colored duppattas. A salwar kameez has two pieces of cloths: the kameez, or shirt or top piece, and the salwar, or pants or bottom piece. A duppatta is a piece of colorful cloth that women wear around their necks. Salwar kameez's and duppattas come in a variety of colors and designs. There are many stores that specialize and sell only these articles of clothing.


Men's Clothing
Men and boys generally wear loose pants or slacks with a collared shirt or t-shirt. Some males also wear the kurta pajama, an Indian shirt and pant outfit, especially the Punjabi farmer. On their head, many Sikhs also wear bhuggs, or turbins.


Winter Clothing
In winter, both women and men generally wear a woolen shawl, a small blanket, around their necks. Many men wear jackets and woolen caps as well.


Pj pari & pj gallery team

Desi Jatti!!!!!

3736
Lok Virsa Pehchaan / History Of Maharani Jind Kaur
« on: June 14, 2010, 06:08:28 AM »





Maharani Jind Kaur(1817 - 1863)

Maharani Jind Kaur was popularly known as Jindan, was wife of Maharaja Ranjit Singh and mother of Maharaja Duleep Singh, the last Sikh sovereign of the Punjab. She was daughter of Manna Singh, an Aulakh Jatt of Gujranwala, who held an humble position at the court as an overseer of the royal kennels. Scant notice of Maharani Jind Kaurs taken either by the official Lahore diarist, Sohan Lal Suri, or the British records until 1838, when according to the former, a munshi brought the blessed tidings of the birth of a son to her it appears that she and her son lived a life of obscurity under the care of Raja Dhian Singh at Jammu in August 1843, the young prince and her mother were brought to Lahore in September 1843, both Maharaja Sher Singh and Dhian Singh were assassinated. Raja Hera Singh, Dhian Singh's son, with the support of the army and chiefs, wiped out the Sandhawalia faction Shortly after, Hira Singh captured the Fort of Lahore and on 16 September 1845, the army proclaimed minor Duleep singh the sovereign of the State Hira Singh was appointed the wazir.

The political history of Jind Kaur begins from that date Gradually, she assummed the role of a dejure regent to the minor Maharaja Both Hira Singh and his adviser, Pandit Jalla, did not allow her the courtesy and consideration she was entitled to. Her establishtnent was put under the control of Misr Lal Singh. Jind Kaur mobilized opinion at the Darbar against the dominance of the Dogras. She and her brother,Jawahar Singh, pleaded with the army panchayats (regimental committees) to banish Pandit Jalla and protect the rights of minor Duleep Singh "Who is the real sovereign?" she angrily asked the regimental committees assembled in council "Duleep Singh or Hira Singh? If the fonner, then the Khalsa should ensure that he was not a king with an empty title" The council assured the Rani that Duleep Singh was the real king of the Punjab. The army generals treated Jind Kaur with deference and addressed her as Mai Sahib or mother of the entire Khalsa Commonwealth .

The eclipse of the Jalla regime was a political victory for Maharani Jind Kaur, who had goaded the army to overthrow Hira Singh and install her brother Jawahar Singh as the Wazir. She now assumed control of the governmcnt with the approval of the army generals who declared that they would place her on the throne of Delhi

Jind Kaur proclaimed herself regent and cast off her veil She became the symbol of the sovereignty of the Khalsa ruling the Punjab in the name of her son. She reviewed the troops and addressed them, held court and transacted state businessin public. She reconstituted the supreme Khalsa Council by giving representation to the principal sardars and restored a working balance between the army panchayats and the civil administration.

Numerous vexatious problems confronted the Maharani. First, An alarm was created that an English force was accompanying Peshaura Singh to Lahore, and that he was being helped secretly by Gulab Singh Second, the troops clamoured for a raise in their pay The feudatory chiefs demanded the restoration of their resumed jagirs, remission of fines and reduction of enhanced taxes and burdens imposed upon them by Hira Singh.,Finally, it appeared that the diminishing revenues of the State could not balance the increasing cost of the civil and military administration.

Jind Kaur applied herself to the solution of these problems and secured to this end the assistance of a newly appointed council of elder statesmen and military generals Kanvar Pashaura Singh was summoned to Lahore and persuaded to return to his Jagir Early in 1845, a force 35,000 strong marched to Jammu for the chastisement of Gulab Singh. The council had accused him of being a traitor to the Panth and charged him with treachery and intrigue against his sovereign. In April 1845, the army returned to Lahore with the Dogra chief as a hostage. The pay of the soldiery was enhanced and Jawahar Singh was formally installed Wazir. Maharani Jind Kaur's choice of Jawahar Singh as Wazir became the subject of criticism. To counteract the rising disaffection, Jind Kaur hastily betrothed Duleep Singh, in the powerful Atan family, opened top negotiations with Gulab Singh and promised higher pay to the soldiery. When Jawahar Singh was assassinated by the army Panchayats suspecting his hand in the murder of Kanvar Pashayra Singh, Jind Kaur gave vent to her anguish with loud lamentation. Early in November 1845, she, with the approval of the Khalsa Council, nominated Misr Lal Singh to the office of wazir.

Maharani Jind Kaur has been accused by some historians of wishing the Khalsa army to destroy itself in a war with the English. A more balanced and realistic view will be obtained by a closer examination of the policies of Ellenborough and Hardinge and of other incidental political factors which led to a clash of arms between the Sikhs and the English in December 1845, The Ellenborough papers in the Public Records Office, London, especially Ellenborough's and Hardinge's private correspondence with the Duke of Wellington, disclose the extent of British military preparations on the Sikh frontier. The correspondence reveals the inside story of the main causes of the first Anglo-Sikh warr. The republican upsurge of the Khalsa soldiery to save Ranjit Singh's kingdom from foreign aggression, the concentration of large British forces on the Sutlej, the British seizure of Suchet Singh's treasure, the intrigues of British political officers to break the loyalty of the Sikh governors of Kashmir and Multan, the rejection of Lahore claim to the village of Moran, and the extraordinarily hostile conduct of Major George Broadfoot, the British Political Agent at the North-West Frontier Agency, towards the Sikhs, particularly the virtual seizure by hint of the cis-Sutlej possessions of the Lahore Goverment in view of these factors, the theory that the Sikh army had become perilous to the regency and that the courtiers plotted to engage the army against the British becomes untenable on the contrary, the regent was the only person who exhibited determination and courage during the critical period of the war with the British .

In December 1846, Maharani Jind Kaur surrendered political power to the council of ministers appointed by the British Resident after the treaty of Bharoval. The Sikh Darbar Ceased to exist as a sovereign political body. The regent was dismissed with an annuity of Rs 1,50,00O and "an officer of Company's artillery became, in effect, the successor to Ranjit Singh "

Maharani Jind Kaur was treated with unnecessary acrimony and suspicion. She had retired gracefully to a life of religious devotion in the palace, yet mindful of the rights of her minor son as the sovereign of the Punjab. Henry Lawrence, the British Resident at Lahore, and Viscount Hardinge both accused her of fomenting intrigue and influencing the Darbar politics. After Bharoval, Hardinge had issued instructions that she must be deprived of all political power in March 1847, he expressed the view that she must be sent away from Lahore.

At the time of Tej Singh's investiture as Raja of Sialkot in August 1847, it was suspected that the young Maharaja had refused to confer the title on him at the instigation of his mother. She was also suspected of having a hand in what is known as the Premilla Plot a conspiracy designed to murder the British Resident and Tej Singh at a fete at the Shalamar Gardens. Although neither of the charges against Jind Kaur could be substantiated on enquiry, she was removed to Sheikhupura in September 1847, and her allowance was reduced to Rs 48,000. Lord Dalhousie, instructed Sir Frederick Currie, the British Resident at Lahore, to expel her from the Punjab. Currie acted promptly. He implicated Jind Kaur in a fictitious plot and sent her away from Sheikhupura to Banaras. She remained interned at Banaras under strict surveillance in 1848, allegations were made by Major MacGregor, in attendance on her, that she was in correspondence with Mulraj and Sher Singh at Multan. A few of her letters were intercepted and an alarm was created when one of her slave girls escaped from Banaras. She was removed to the Fort of Chunar from where she escaped to Nepal disguised as a maid-servant

Maharani Jind Kaur arrived at Kathmandu on 29 April 1849. The British Government promptly confiscated her jewellery worth Rs 9,00,000 and stopped her pension At Kathmandu, the sudden appearance of the widow of Ranjit Singh was both unexpected and unwelcome, Yet Jung Bahadur, the prime minister, granted her asylum, mainly as a mark of respect to the memory of the late Maharaja Ranjit Singh. A residence was assigned to her at Thapathall, on the banks of the Vagmati river, and the Nepalese government settled upon her an allowance for her maintenance. The Nepal Residency papers relate the details of Jind Kaur's unhappy sojourn in Nepal till 1860. The British Residency in Kathmandu kept a vigilant eye on her throughout. It believed that she was engaged in political intrigue to secure the revival of the Sikh dynasty in the Punjab. Under constant pressure firm the British, the Nepal Darbar turned hostile lowards the Maharani and levied the most humiliating restrictions on her. But the forlorn widow of Ranjit Singh remained undaunted. She quietly protested against the indignities and restrictions imposed upon her by Jung Bahadur. Jung Bahadur expelled from the valley one of her attendants, and the Maharani dismissed the entire staff foisted upon her by the Nepalese Government. She was then ordered to appear in person in the Darbar to acknowledge Nepalese hospitality, which she refused to do. The breach between her and Jung Bahadur widened. The Nepal Residency Records tell us that an open rift took place, and "several scenes occurred in which each seemed to have given way to temper, to have addressed the other ill very insulting language."

Towards the end of 1860, it was signified to Maharani Jind Kaur that her son, Maharaja Duleep Singh, was about to return to India and that she could visit him in Calcutta. She Welcomed the suggestion and travelled to Calcutta to meet her son, Who took her with him to England. Maharani Jind Kaur died at Kensington, England, on 1 August 1863.


Pj Pari & Pj Gallery Team

Desi Jatti!!!!!!! 8-> 8->

3737
Lok Virsa Pehchaan / History Of Singh Sahib Giani Puran Singh Ji
« on: June 14, 2010, 06:03:25 AM »

Giani Puran Singh's Eyewitness Account Of Operation Bluestar

Today, Giani Sant Singh Maskeen has invited me to tell the story of 1984. On 5th June at 7.30 I went to Sri Akal Takht Sahib Ji. There I saw, (had darshan of), Baba Jarnail Singh Khalsa Bhindranwale. At that time bullets were flying about. After meeting Sant Ji, I went to Sri Darbar Sahib and carried the duty of Sodar Rehraas Sahib, which was supposed to be done by Giani Mohan Singh.

When I came out from Sri Akal Takht bullets were flying like mad. There were Singhs sitting at the front of Sri Akal Takht Sahib and I sat there with them. I said to them "Pyaare Gurmukho, please make sure Giani Mohan Singh does the duty of reading Sodar Rehras Sahib" and so they also made sure Sodar Rehras Sahib would be read from Sri Akal Takht Sahib.

Normally at Sri Darbar Sahib Sodar Rehras Sahib starts 5 minutes earlier than Sodar Rehras Sahib read at Sri Akal Takht Sahib. I wanted to make sure Giani Mohan Singh was okay, seeing that bullets were flying around. I ran to Sri Darbar Sahib like I never ran in my whole life. A bullet missed me and hit Darshani Deori (entrance).

I waited by the Darshani Deori, and took a breath for two minutes. Then I ran towards Sri Darbar Sahib. A bullet hit Sri Darbar Sahib. I managed to organise Sodar Rehras Sahib da Paath. Giani Mohan Singh was in Darbar Sahib at the time. There were 22 Singhs inside Sri Darbar Sahib. As soon as the end verses of Sodar Rehras were being read, bullets began to be fired at Sri Darbar Sahib. We obviously couldn’t take Guru Maharaj’s sawaari to Sri Akal Takhat Sahib for rest as usual. However, we did Sukhaasan of Guru Ji and took Guru Ji to the top floor of Sri Darbar Sahib. As soon as we did this (10pm) tanks came straight inside Sri Harmandar Sahib.

From the top of Sri Darbar Sahib we could see the whole city in flames. We were thinking of taking water out of the Sarovar (pool of nectar surrounding Sri Darbar Sahib) to put out the burning flames. Four tanks now came inside Sri Harmandar Sahib and they were setting fire to all the rooms in Parkarma (surrounding area of Sri Darbar Sahib). We could hear women crying, children looking for their mothers. The war was over, the army began to walk past Darshani Deori (the entrance gate to the bridge leading to Sri Darbar Sahib).

There were to my recollection 40-50 Singhs getting ready to fight the army. They were so brave that they carried on until they became Shaheed (martyred). Even when the ammunition finished they carried on.

They were fighting from 10pm till 4.30am, throughout which we stayed on the upper floor of Sri Darbar Sahib. We got Maharaj’s Saroop from upstairs at 4.30 and brought him downstairs. A Hukamnama (Sacred Edict) was taken then the Raagis (musicians) sang Aasa Ki Vaar. The Raagis weren’t with us all night. As soon as they finished their duty they left. All the Raagis were shot down and made shaheeds (martyrs) outside Darshan Deori, except for Raagi Bhai Amrik Singh Ji. In Sri Darbar Sahib Raagi Bhai Randhir Singh’s jatha was performing Aasa Ki Vaar. Bhai Avtar Singh, a member of his Jatha, was shot inside Sri Darbar Sahib by the army. The army was now firing from all four doors. As a result Guru Ji’s saroop was hit with a bullet. The bullet mark is still present in Maharaj’s Saroop. So we got the Saroop of Guru Ji that Maharaja Ranjit Singh donated, which is kept on the top floor and did Parkaash.

At 4pm the army were throwing gas grenades at Sri Akal Takht Sahib. They thought Singhs were still in Sri Akal Takhat Sahib, despite the bombings. Even after the bombings the Singhs were still firing, as a result gas grenades were now being used. They destroyed the whole place! At 4.30pm the officer said if they saw any survivors, they were ordered to kill them on the spot, be it a child, elderly man or elderly women. Whoever was seen was to be shot.

So the 22 singhs with us decided to get out of Sri Darbar Sahib. Giani Mohan Singh gave the message to the Singhs and said that if the army wanted the Singhs inside Sri Darbar Sahib, then they would have to send their men inside.

Three times this message was given to the army but the army said through the speakers that we should get out of Sri Darbar Sahib with our hands up. Giani Mohan Singh and I both thought if we were to get out of Sri Darbar Sahib with our hands up, we will be probably shot. We both felt that we would rather be martyred inside Sri Darbar Sahib. So we didn’t get out. We stayed inside from 4.30pm till 7.30pm. At 7.30pm two soldiers come to get us and one sewadar was also sent with them. We went towards the army. The officer said to his troops (via speakers) that no one must shoot at the Gianis. We got out of Darshan Deori and saw Sri Akal Takht Sahib. It was more or less a pile of bricks.

Some soldiers said to us "Sat Sri Akaal". The soldiers said: "We are Sikh, is there anything we can do for you?" We replied :"Get us out of here. We need to go to the toilet and we want some water. Why not send two Singhs to get the water?" The officer said: “No”. He said we couldn’t go out of Sri Darbar sahib. So we said at least let us go to the toilet, to which they agreed. On returning they demanded to know where Sant Jarnail Singh Ji Bhinderanwale was. We had no idea what they were on talking about. At this point "Bhinderanwale Zindabad" (Long live Bhindranwale) could be heard.

We said we were both inside Sri Darbar sahib, so we have no idea where he was. “You should know, you either killed them or released them,” I said. They said “We saw machine guns at the top of Sri Darbar Sahib.”.So I said, “No Singh fighter came into Sri Darbar Sahib nor did one bullet fly out from Sri Darbar Sahib”. They didn’t believe us. So anyway, I said to the officer that if there was a machine gun on the top some sandbags would be surrounding it as well. Eventually the officer said no bullet came out from inside Sri Darbar Sahib.

There were many Singhs who were killed and martyred lying all around us, so an officer got some white sheets from Sri Darbar Sahib and put them over the Shaheed (martyred) Singhs. They let us out on 7th June at 7.30pm. The army said “Bhindranwale, Bhai Amrik Singh and General Subegh Singh’s bodies have been confirmed.” I asked where they found Baba Jarnail Singh Ji Bhindranwale’s body. The ‘Sikh’ officer replied that Baba Jarnail Singh Ji’s body was found between the two Nishaan Sahibs outside Sri Akal Takht Sahib and that bodies of two other Singhs who were with Bhindranwale were found behind the Niishaan Sahib. However, they soon replied that they saw his body elsewhere. But they never showed us his body.

They didn’t show the body to anyone else. So Giani Mohan Singh and I went to our homes at 7.30pm. That is when they got Giani Sahib Singh involved. The army said the same thing about Baba Ji’s body being found to Giani Ji. Now, if they really did have Sant Ji’s body they would have shown it to us definitely.

They showed the weapons Sant Ji had and they showed us other Singhs that were killed. But they never showed Sant ji’s body. Many thousands of pilgrims were killed, but we saw just as many soldiers lying dead. It wasn’t a few soldiers rather in their hundreds. They could have taken Sant Jarnail Singh’s body to Delhi, but even they said that they never received any body.

On 7th June when we came back, Giani Sahib Singh (the Head Granthi Singh of Sri Darbar Sahib at that time) was with the army. The four Singhs had dug up a trench under the Ramgarhia bunga. Three amry troops went in, and they were pulled by the Singhs into the trench.

The soldiers told them to get out. The Singhs wanted a negotiator before anything would happen. So they called me to negotiate with them or otherwise they wouldn’t get out. I said if I was to negotiate, then don’t shoot the Singhs. To this they agreed. But the officer said we wont kill them here. I knew they would shoot them elsewhere and that if the Singhs were fired at while I was there, I would held prisoner by the Singhs. So the officer told me to find out if the three troops sent in were alive, especially the doctor with them and then he said “We'll forgive them.”

I began to speak to them via speakers. The Singhs said that they were willing to do what I told them to do. I asked if the military troops were alive. The Singhs said no military person was alive in their trench. The officer requested me to leave and the Singhs would be flushed out. They fought all day, all night. However, the army just couldn’t flush them out. Even when Giani Zail Singh (the President of India at the time) came to Sri Darbar Sahib, they were still fighting.

Giani Zail Singh was shot when crossing the firing line of the Singhs, however if the Singhs stopped firing then they would be martyred. But they didn’t know of anyone visiting Sri Darbar Sahib. It was turning dark. A colonel had a gun with him. His commander gave him the blessing to do the following which I witnessed myself. The colonel fitted some battery to the gun and began to fire at the Singhs. So the Singhs were apparently killed but we didn’t know if the colonel was alive or not. However, nothing happened to the Singhs, as they carried on firing. The army began to throw grenades. But an officer told me that they were not doing much, considering the Singhs were still firing. Then the army began to fire tear gas as obviously this would react with their eyes. One Singh got out the trench, as he was in agony, and was shot down by the army. And then the other Singhs went out to search for water and they were also shot down by the army.

This is the first time I have talked about my experiences with the Sangat.

Waheguru Ji Ka Khalsa, Waheguru Ji Ki Fateh

3738
Lok Virsa Pehchaan / History Of Rajguru
« on: June 14, 2010, 05:51:11 AM »


Shivaram Rajguru


freedom fighter who played a major role in the India's struggle for Independence. He is amongst those great Indian revolutionaries who sacrificed their lives for the freedom of country. His full name was Hari Shivaram Rajguru and was born into a Deshastha Brahmin family. Since his childhood days, had witnessed the brutal atrocities that the Imperial British Raj inflicted on India and her people. This instilled within him a strong urge to join hands with the revolutionaries in a bid for India's freedom struggle.

In the days of the Indian Freedom Movement, the Hindustan Socialist Republican Army (HSRA) was an active force working against the British. Whilst their main motive was to strike fear into the heart of the British regime, they simultaneously spread awareness amongst the people. They made them take notice of the growing domestic uprising when they dealt crucial blows with attacks like in the Lahore Conspiracy Case ( 18th December, 1928) and the bombing of the Central Assembly Hall in New Delhi (8th April, 1929).

The protest against the Simon Commission in October 1928 saw the British police lathi-charge the protestors, severely injuring veteran leader Lala Lajpat Rai. Owing to the excessive beating, Lala succumbed to his injuries, which thus instilled revenge in the hearts of the revolutionaries. Thus, on 18th December, 1928 in Ferozepur, Lahore, a planned retaliation was enforced that led to the assassination of Deputy Superintendent of Police, J.P. Saunders. Shivaram Rajguru along with Sukhdev Thapar were accomplices of the legendary Bhagat Singh who spearheaded the attack. Rajguru then went into hiding in Nagpur. Whilst taking shelter in the house of an RSS worker, he even met Dr. K. B. Hedgewar. On his travel to Pune, however, Shivaram was finally arrrested. Bhagat Singh, Shivaram Rajguru and Sukhdev Thapar were then convicted of their crime and sentenced to death.

On 23rd March, 1931, the three brave revolutionaries were hanged, whilst their bodies were cremated on the banks of the River Sutlej. Shivaram Rajguru was only 23 years old when he became a martyr for his country, however, he will always be remembered in the pages of Indian history for his valor and dedication of his life towards India's independence.



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3739
Lok Virsa Pehchaan / History Of Sukhdev
« on: June 14, 2010, 05:49:34 AM »

Sukhdev

Sukhdev (1907-1931) was a famous Indian revolutionary who played a major role in the India's struggle for Independence. He is amongst those great Indian freedom fighters who sacrificed their lives for the freedom of their country. His full name is Sukhdev Thapar and he was born on 15th May, 1907. His ancestral house is in Naughara Mohalla of Ludhiana city, Punjab, India. His father's name was Ram Lal. Since his childhood days, Sukhdev had witnessed the brutal atrocities that the Imperial British Raj had inflicted on India, which then led him to join the revolutionaries, vowing to set India free from the shackles of British dominion.

Sukhdev Thapar was a member of the Hindustan Socialist Republican Association (HSRA), and organized revolutionary cells in Punjab and other areas of North India. A devoted leader, he even went on to educate the youth at the National College in Lahore, greatly inspiring them about India's glorious past. He along with other renowned revolutionaries started the 'Naujawan Bharat Sabha' at Lahore that was an organization involved in various activities, mainly gearing the youth for the freedom struggle and putting an end to communalism.

Sukhdev himself took active part in several revolutionary activities like the 'Prison hunger strike' in 1929; however, he would always be remembered in the chronicles of the Indian Freedom Movement for his daring yet courageous attacks in the Lahore Conspiracy Case (18th December, 1928), that shook the very foundation of the British Government. Sukhdev was the accomplice of Bhagat Singh and Shivaram Rajguru, who were involved in the assassination of Deputy Superintendent of Police, J.P. Saunders in 1928, thus avenging the death of veteran leader, Lala Lajpat Rai, owing to excessive police beating in the Conspiracy case. After the Central Assembly Hall bombings in New Delhi (8th April, 1929), Sukhdev and his accomplices were arrested and convicted of their crime, facing the death sentence as verdict.

On 23rd March, 1931, the three brave revolutionaries, Bhagat Singh, Sukhdev Thapar and Shivaram Rajguru were hanged, whilst their bodies were secretly cremated on the banks of the River Sutlej. Sukhdev Thapar was just 24 years old when he became a martyr for his country, however, he will always be remembered for his courage, patriotism and sacrifice of his life for India's independence.


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3740
Lok Virsa Pehchaan / History Of Shaheed Bhagat Singh
« on: June 14, 2010, 05:43:51 AM »



Born: September 27, 1907
Martyrdom: March 23, 1931
Achievements: Gave a new direction to revolutionary movement in India, formed 'Naujavan Bharat Sabha' to spread the message of revolution in Punjab, formed 'Hindustan Samajvadi Prajatantra Sangha' along with Chandrasekhar Azad to establish a republic in India, assassinated police official Saunders to avenge the death of Lala Lajpat Rai, dropped bomb in Central Legislative Assembly along with Batukeshwar Dutt.

Bhagat Singh was one of the most prominent faces of Indian freedom struggle. He was a revolutionary ahead of his times. By Revolution he meant that the present order of things, which is based on manifest injustice must change. Bhagat Singh studied the European revolutionary movement and was greatly attracted towards socialism. He realised that the overthrow of British rule should be accompanied by the socialist reconstruction of Indian society and for this political power must be seized by the workers.

Though portrayed as a terrorist by the British, Sardar Bhagat Singh was critical of the individual terrorism which was prevalent among the revolutionary youth of his time and called for mass mobilization. Bhagat Singh gave a new direction to the revolutionary movement in India. He differed from his predecessors on two counts. Firstly, he accepted the logic of atheism and publicly proclaimed it. Secondly, until then revolutionaries had no conception of post-independence society. Their immediate goal was destruction of the British Empire and they had no inclination to work out a political alternative. Bhagat Singh, because of his interest in studying and his keen sense of history gave revolutionary movement a goal beyond the elimination of the British. A clarity of vision and determination of purpose distinguished Bhagat Singh from other leaders of the National Movement. He emerged as the only alternative to Gandhi and the Indian National Congress, especially for the youth.

Bhagat Singh was born in a Sikh family in village Banga in Layalpur district of Punjab (now in Pakistan). He was the third son of Sardar Kishan Singh and Vidyavati. Bhagat Singh's family was actively involved in freedom struggle. His father Kishan Singh and uncle Ajit Singh were members of Ghadr Party founded in the U.S to oust British rule from India. Family atmosphere had a great effect on the mind of young Bhagat Singh and patriotism flowed in his veins from childhood.

While studying at the local D.A.V. School in Lahore, in 1916, young Bhagat Singh came into contact with some well-known political leaders like Lala Lajpat Rai and Ras Bihari Bose. Punjab was politically very charged in those days. In 1919, when Jalianwala Bagh massacre took place, Bhagat Singh was only 12 years old. The massacre deeply disturbed him. On the next day of massacre Bhagat Singh went to Jalianwala Bagh and collected soil from the spot and kept it as a memento for the rest of his life. The massacre strengthened his resolve to drive British out from India.

In response to Mahatma Gandhi's call for non-cooperation against British rule in 1921, Bhagat Singh left his school and actively participated in the movement. In 1922, when Mahatma Gandhi suspended Non-cooperation movement against violence at Chauri-chaura in Gorakhpur, Bhagat was greatly disappointed. His faith in non violence weakened and he came to the conclusion that armed revolution was the only practical way of winning freedom. To continue his studies, Bhagat Singh joined the National College in Lahore, founded by Lala Lajpat Rai. At this college, which was a centre of revolutionary activities, he came into contact with revolutionaries such as Bhagwati Charan, Sukhdev and others.

To avoid early marriage, Bhagat Singh ran away from home and went to Kanpur. Here, he came into contact with a revolutionary named Ganesh Shankar Vidyarthi, and learnt his first lessons as revolutionary. On hearing that his grandmother was ill, Bhagat Singh returned home. He continued his revolutionary activities from his village. He went to Lahore and formed a union of revolutionaries by name 'Naujavan Bharat Sabha'. He started spreading the message of revolution in Punjab. In 1928 he attended a meeting of revolutionaries in Delhi and came into contact with Chandrasekhar Azad. The two formed 'Hindustan Samajvadi Prajatantra Sangha'. Its aim was to establish a republic in India by means of an armed revolution.

In February 1928, a committee from England, called Simon Commission visited India. The purpose of its visit was to decide how much freedom and responsibility could be given to the people of India. But there was no Indian on the committee. This angered Indians and they decided to boycott Simon Commission. While protesting against Simon Commission in Lahore, Lala Lajpat Rai was brutally Lathicharged and later on succumbed to injuries. Bhagat Singh was determined to avenge Lajpat Rai's death by shooting the British official responsible for the killing, Deputy Inspector General Scott. He shot down Assistant Superintendent Saunders instead, mistaking him for Scott. Bhagat Singh had to flee from Lahore to escape death punishment.

Instead of finding the root cause of discontent of Indians, the British government took to more repressive measures. Under the Defense of India Act, it gave more power to the police to arrest persons to stop processions with suspicious movements and actions. The Act brought in the Central Legislative Assembly was defeated by one vote. Even then it was to be passed in the form of an ordinance in the "interest of the public." Bhagat Singh who was in hiding all this while, volunteered to throw a bomb in the Central Legislative Assembly where the meeting to pass the ordinance was being held. It was a carefully laid out plot, not to cause death or injury but to draw the attention of the government, that the modes of its suppression could no more be tolerated. It was decided that Bhagat Singh and Batukeshwar Dutt would court arrest after throwing the bomb.

On April 8, 1929 Bhagat Singh and Batukeshwar Dutt threw bombs in the Central Assembly Hall while the Assembly was in session. The bombs did not hurt anyone. After throwing the bombs, Bhagat Singh and Batukeshwar Dutt, deliberately courted arrest by refusing to run away from the scene. During his trial, Bhagat Singh refused to employ any defence counsel. In jail, he went on hunger strike to protest the inhuman treatment of fellow-political prisoners by jail authorities. On October 7, 1930 Bhagat Singh, Sukh Dev and Raj Guru were awarded death sentence by a special tribunal. Despite great popular pressure and numerous appeals by political leaders of India, Bhagat Singh and his associates were hanged in the early hours of March 23, 1931.


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